Final Show Preparation 3: Practical stuff

 

Glass- bowls

The glass -bowls are all washed and sparkling, then wrapped in several layers of bubble-wrap, packing materials and in boxes ready to go. A strange combination of my personal ‘identities ‘ were referenced by using these boxes, I realised …. and I forgot to mention the choice of glass rather than ceramic. Glass is an amorphous solid but exhibits an atomic structure close to that observed in a  supercooled liquid phase. I have chosen to work  with glass before as it is both fixed and mutable – appropriate for documentation of an action because of this temporal quality.

Chocolates

I  popped into town to buy the parcel tape and  went to see how Belflair were getting on with the chocolates.

They were all in the shop and Gillian ( below) was busy wrapping them in the foils!

 

Updates:

Wednesday 29th June: I took the glass parcels to Mail Boxes Etc ,  for Marian and Phil Cullen  to send to Wilson Road by courier.IMG_3732Screen Shot 2016-07-01 at 15.27.37

Thursday 30th June: Got back in time to pick up the chocs, all beautifully wrapped, ready for sending tomorrow morning. Gillian was very excited and pleased with the results. So was I. I  gave her some invitations for Belflair to the Public View on Crouch Hill on the Thursday 14th  and took some to Banbury Print, and Marian and Phil at MBE.

 

 

Friday 1st July: 

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Some new thoughts

As I haven’t made much work because of my Research Proposal  but here are some only ‘playings -about’.

It.s good to be doing something after all the writing and hopefully it will help things become clearer.

I’ve been thinking a lot about the wall painting in the church at Croughton. I cover this again in later post

The Weighing of the Souls

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it is a Doom Painting . The ‘weighing of souls’,or  psychostasia, in Greek,  is a method of divine determination of fate, persisting  from the Iliad through to Christian theology. and extending  through Egyptian mythology and in Islam…..

I’ve been thinking about this  concept and how it feels to have a church with this painting within view of RAF Croughton and its links with global conflict.

I’ve also been trying to print various images such as drones, and casualties of drone attacks onto glass and onto US bank notes.

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I went over to see glass artist, Helen Slater who has  helped so much with glass work I’ve done in the past.She  told me of a way of getting images into glass. I’d been using inkjet copies and gel to  transfer  images onto the glass.

Here she is and some of the images she’s using in her work.

 

Not what I want but a useful  process  which may work.for me with my material.

I’ll try some things out…but ….

How does this fit into the space/ time continuum/palimpsest idea ?On the way back from her workshop I stopped in the village for our Skype chat

I saw this in the graveyard : My mother’s family name….not that common.

I saw it on Thursday 8th October

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Cling – film, cutting and glass …… keeping, forgetting, reflection and transparency?

Further image re-processing by cutting into overlays and drawings from documentation images- thinking about ‘forgetting’ and gaps./ holes (I may have been on some Dementia Awareness Training? )

Print residue on glass- looking through and as mirror _ Thinking about time-‘dimensions’/ ‘perspectives’ and also cling-film as ‘preservative’.

Drawings on cling-film:

Drawings traced over repeatedly during printing with cut-outs (poor quality images ‘snapped’ on iPhone) and the cut-outs:

Looking more closely at the printing glass-plate( after the monoprint has been printed)  as a mirror and to look through:

Week four – reflections on work so far

More here soon. Ha! Well, OK not ‘soon’ as it has taken me till now, 5th October, to sit down and write something.

It’s is not that I haven’t been doing and thinking and reflecting but ver..ry slowly in a turgid sort of way.

I have not felt activated by anything I am doing, obstacles are not challenges but obstacles!

So finally after two weeks of fever, fatigue and residual lethargy I have been able to be active, sociable and now feel able to write some of my reflections.

Obviously many of the fleeting thoughts have been left behind but I can inly trust in the process that the essential will rise to the surface of the settling pool and be available for contemplation.

So,

Binary and Printing (and Drawing): Reflection

The binary clay seals I made finally dried out and I had a go at printing with them.

Not really successful as they were not fashioned smooth enough to use on paper and the ink was absorbed by the clay so even printing on fabric was not really successful.

I will try using the relief on some clay but suspect as they were not fired it will crumble and break as this already started to happen when the ink was applied.

So the question is:

Do I source a kiln ( Helen S?) , make some better ones, fire and try again or do I shelve the idea?

They were interesting objects and visitors generally saw some references I had hoped for.

Several comments about the ‘things used in the da Vinci code’! ( is this a good reason to watch it again?!)

I had a notion of making some in glass which would be really enjoyable but very time consuming if not really relevant.

I still do like glass as a material for all the tranformed, not really one thing or another  ( solid/liquid), constantly moving, reflective, transparent reasons.

And I love working with Helen in the studio!

I love the place and, as you will come to understand, ‘place’ means a lot to me – sparks off all sorts of ‘stuff’.

SO I think I enjoyed making them and the binary text thing is still lurking, as you will see later, but I am not sure yet where it ‘fits’.

I have been continuing with printing images made from documentation of actions and will upload images in my next post .

I am not sure what it is I am doing but I think I am Processing  the memory.

Working over and over again on the same image.

When I am tracing over the image, the result  become less accurate and so the image underneath is a more distant  represention of what went before.

Often when I am doing it I become bored with the repetition and am just doing it for the sake of doing it.

Not fully present in the action.

Similar to the way our bodies adapt to some sensations and so can distance our selves from, for instance , the feeling of our clothing and ambient sounds, in order to stay sane.

This then makes me think of maybe paying attention to all the forgotten experiences of our day to day lives…

and also to change my emphasis  more to ‘forgetting’.

I’ve written  before  ( BA dissertation )  Link??? about  fact and fiction in documentation and the fluidity of this but I feel my emphasis  this time is different.

My main concern is that I have been bored by this and by the results.

If I am then why would anyone else be interested! and I ‘m at the beginning of the MA!! Not a good time to be bored!

Also feeling very frustrated at not being able to go on the Liverpool trip or visit galleries etc the way I would like to.

Feeling devoid of inspiration and the things that make us perceive things differently.

But being aware that if my analysis is to be of the human memory vs. digital memory, what I am doing is engaging in the Processing part of the PROCESSING, STORAGE, RETRIEVAL procedure.

I felt comforted by this and have tried not to think too far ahead.

Experiments with analogue materials: Reflection

I really enjoyed playing with the materials and after finally getting my old Mac to read the files and uploading them into an ancient  version of iMovie I enjoyed messing around with editing.

The only problem is that I find the software ‘clunky’ and am a novice so the edit is rubbish.

Again it’s fine for playing around with but it would be good to make something that wasn’t scruffy.

Making the piece with Claire was interesting as it made me think of ‘what is collaboration?’

Her thoughts were interesting as we discussed the nature of archive and the possibility of filming in my loft ( where all my personal family memory-keeper’ stuff is mostly ( apart from the bits I am trying to edit and file)

Of course as this MA proceeds I realise that in ‘clearing crap’ during the summer I have thrown away things that would now be useful.

The less relevant life documentation with un-recognisable places and people that now I am interested in.

Anyway, back to the videos.

I liked the two short edits but the orientation of all three videos makes the reading completely different.

I took them to my Monday leisure Bodicote House Art Group for their critique as an objective audience and  their  interpretations were interesting, orientation featuring in their understanding of what was happening.

Peter commented that the music on the third edit was somewhat overwhelming and I agree but I really like the visuals and the sound of the tape clattering which of course can’t be separated from the rest of the soundtrack as they were recorded together.

I am tempted to re-make but I dislike the idea of repeating and rehearsal and more than the minimum of direction as it takes away the chance, spontaneity  and resulting raw affect which may arise.

When filming on my iPhone there were several other videos which I have discarded, the other with me filming and Claire W ‘playing’ with the tape.

I’ve since tried to project the video so I can ‘draw into it’ but much faffing about with the projector and it still won’t read the file.

I am increasingly frustrated by my ineptitude with the tech. esp as this is a MA Fine Art Digital and I feel as if I haven’t a clue.

Spent a lot of yesterday afternoon trying to download various converters and use them to convert M4V file into something readable but to no avail.

I have passed to my son and his pc but fear that it may be protected, not ‘something to do with my ancient Mac OS’ .

What I have done is to draw/trace  from stills on my laptop which has been useful in the continuing ‘processing’ of the documentation.

More of this in my next post.