Final Show: #CrouchHillBanbury

Despite the recent Periscope app update which now allows permanent archive of Broadcasts with chat, I made the decision to allow auto-delete after 24 hours.

The ephemerality and impermanence is an essential component of my work and process, highlighting the concept of dynamic socially created space.

Traces of previous broadcasts are now no longer visible as they were previously

Paradoxically, the events below are heavily documented through Screen-shots from the Broadcasts, created within the 24 hrs before they became unavailable……

it’s really hard to let things go…especially when you need evidence of your process….

 

John Ruskin – Work:

15th July

I read aloud from John Ruskin’s lecture ‘ Work ‘ delivered at the Working Men’s Institute Camberwell in 1865,( which is now the South London Gallery……..?)

to link my location on Crouch Hill in Oxfordshire with Camberwell. This also served as a point for further reflections on work, labour, art and relative positions in contemporary society.

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There were 130 in the Lifestream audience at one point and generally retention was better with people usually sticking it out for a while on each brief Scope.I’m finding the stats interesting to analyse despite not searching for ‘Likes’.

I decided to leave the tent up for the duration of the Show, over the weekend and for the rest of the week until Tuesday evening.

I wrote a note to explain and left it in the tent. I left contact details as well, out of courtesy.

Often, teens camp-out and sometimes just leave the tents.

I didn’t want it to be damaged, removed, offend someone unnecessarily or occupied by another person!

Martin Fiennes – Broughton Castle:

16th July:

Martin’s parents are Lord and Lady Saye and Sele.

William FIENNES (1st Viscount Saye and Sele).The only son of Richard Fiennes, 7th Lord Saye and Sele, he was educated at New College, Oxford, and succeeded to his father’s lordship (barony) in 1613. English politician and promoter of colonization in America. He was a Puritan in religious sympathy and a leader in the House of Lords of the opposition to James I and Charles I.

I invited Martin to Crouch Hill, where he spoke of his visions for the preservation of areas of countryside, whilst accommodating the need for housing into the future. He also talked of  his imaginings of the Puritan and Royalist troops, noisily riding up and down past the foot of the Hill along what is now a busy B road, prior to the siege of Banbury Castle, and the Battle of Edge Hill in 1642.

It brought the past alive for a moment or two, and changed my visions of the present.

He was surprised and amused by the 249 viewers.

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Dozing in my Tent:

17th July

I just started to broadcast  and lay down in a warm tent for a doze…showed the sky to  over a hundred people…Strange, this periscope business…

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33 comments! and a surprising number of viewers.

also found a note when I opened the tent…. it said ‘PLEASE DON’T ‘

I wasn’t sure what they wanted me not to do?
Stay….? Go…?

Some dog-walkers came past and had a chat

Paul Mobbs (@ramblinactivist) :

17th July

I’d invited Paul to talk as he has a deep knowledge of the Quaker Civil War history of the area and an involvement in peace activism in contemporary conflict.

He forms a link from this final work to my initial investigations in Croughton , the Reading Room and RAF Croughton.

In fact, when he arrived he didn’t want to talk about those topics at all but lead a popular walk around the Hill discussing local geology and its implications.

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Edith Eisler, 

18th July

This was the anniversary of Edith’s death in 2011. A  violinist, teacher, noted musician and critic.This is  a recording of her playing Hindemith 

I told the story of how my father became friends with Edith and her family during WWII, following their movement from Vienna to Britain.

Also their subsequent correspondence whilst my father found and located in Japanese POW camp in the Far East, and following his release.

This family correspondence continued, even following my father’s death.

Her kindness has enabled me to pursue this Post-Graduate study.

(Along with a Vice- Chancellors Scholarship from The University of the Arts London).

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iChing and Philip K. Dick

19th July

I am interested in the link between subjective evaluation involved in Divination practice and ritual with the binary code which underlies all things digital.

See this article here in The Guardian

and this J Proteome Sci Comput Biol. 2012; 2012(1): 3. Published online 2012. doi: 10.7243/2050-2273-1-3

I had hoped to use yarrow stalks from the Hill but the season was late and there were few available.

I’d also thought of using Glo-sticks but their popularity at the Public View put paid to that…everyone wore them home..

So I used the cards I’d used in previous broadcasts.

The whole event became ludicrous…more so than other Scopes, as Tia and Purdy, the dogs belonging to my ‘assistant’ were in playful mood.

In the end one of the dogs, Purdy, selected one of the cards…

I read from Philip K Dick, the visionary writer, who cites the iChing in The Man in The High Castle.

His alternative outcome from WWII, and the implications, are  worth re- considering now, I believe. The sun set, the moon was almost full.

In total with Louise’s simultaneous broadcast of the event, there were over 750 viewers..

???!!!!

These were the cards selected.

4 Meng: INEXPERIENCE

Humbleness and sincerity when comprehending will increase knowledge.

9 Hsiao Ch’u GENTLE RESTRAINT, HOLDING BACK

Dense clouds suggest postponing the action till after the rain.

56 Lu: THE WANDERER, THE TRAVELLER

The steadfast and persistent traveller will have good luck.

Make of that, what you will….

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UAL Summer Show: Camberwell College of Arts, Wilson Road, London SE5 8LU

20th July

I went to the Final Crit with my cohort at Camberwell. Saw many of my colleagues and enjoyed seeing the Show.

It was odd walking into an exhibition containing my own work but where I had delegated set-up to colleagues. They had displayed many of the bowls around the building but as these are now empty they had been removed.

The last remaining had been give a plinth, two bowls placed one inside the other with a top light in a dark space. It looked tremendous! Donald Takeshita-Guy had been mainly responsible and is keen on developing his curation skills.

It worked really well

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Later, Clara and I met with the collective of artists to talk about plans for our residency in Norway in 3 weeks time. Very exciting.

Little Venice Studio  with Clara Duran, Keir Williams,  Dave Meckin, Alice Helps, Joe Fairweather-Hole

and then…..NORWAY RESIDENCY and Neptune Developers Camp, Melbu, Nordland

Neptun Introduction

and as Manuel from MAFAD said

” So long and thanks for all the fish”

Its been amazing,  Thanks Jonathan K!

Continue reading Final Show: #CrouchHillBanbury

#CrouchHill Banbury #Public View #Camberwellual

Louise messaged me this photo of the yarrow emerging on the morning on the Public View…

Better late than never…YARROW

Some of the people who had been involved in the events, gathered over the evening at the summit.

Several of us were broadcasting the event via Periscope and others who had been involved but couldn’t be there in person ‘hopped on’…

Some people managed both- to be there at a distance and then join in person…

 

Some of the sharing paraphernalia…

People brought Champagne and flowers

 

 

The Covenant of Salt, ‘Twitter’ chocolates, and Mystic Writing pads were enjoyed by many… even those who claimed no artistic talent!

Games had unexpected winners..or no winners at all depending on the play.

People were Periscoping people Periscoping people Periscoping ………etc

 

Clara Duran was taking photos of the Summer Show in Camberwell at the same time, and watching proceedings on Periscope on Jonathan’s phone ( see later)

I hadn’t realised that they had also announced Clara and my Residency Award in Norway  at the award ceremony.

 

Here are images of some of the group’s work : Clara, Tristan ( our work has some similarities..) Pete ( who I have still never met!), Pascale, Donald, Yvonne and Sharon

SIMULTANEITY:

Some examples of the simultaneous images taken and simultaneous events ( if the clocks on our phones and cameras and image files are to be believed ) in Camberwell and on Crouch Hill.

 

19.41

 

19.46

 

19.53

 

20.14

Below are some screen shots which show the involvement of the Periscope audience when I went to find Clare Carswell, who also took many of the documentation photos – Thanks Clare)

She had been following proceedings on the phone but then drove to the Hill to try to find us.

I had thought of putting up signs but it would have changed the event and the Happenstance element for people who hadn’t had direct invitations

Also it was fun to see people randomly wandering around, getting lost, finding each other, talking to strangers, and eventually finding us at the summit!

 

‘ I’ve never seen so many Lost People!’ – Thanks JimStr

People made it to the top, physically and via our Live streams.

 

Drawing time is Catherine Lette,  who was documenting her visit to the Summer Show Private View in Wilson Road, Camberwell and simultaneous experience of Crouch Hill, Public View and some of my work in the process

The Screen shots below are from my Stream

 

These are from Catherine’s @drawingtime phone and stream

 

These are from Sharon Bertram’s

 

Here’s an example of chat during the stream…Anything from dog snacks to Brexit

Which at least gives it some time-reference.

Importantly, people  visiting the Show did seem to be accessing the Periscope Broadcasts at least via the Twitter feed from the Username on the Chocolates!

[EDIT 21st July:  There were large numbers in the LiveStream Audience by the end of the Show – over 700 for the last broadcast ]

 

Finishing with some amusing screen shot showing middle-ages people whth Glo=Stick necklaces.

I’ll never forget wending our way down the Hill carrying the tent etc, winding through the woodland in the dusk, Glo-necklaces bobbing up and down in the distance…Sadly not on the Broadcast

 

The event went well with some good interaction and a reasonable audience in both ‘locations’, from 30- 159 on the stream…not that I’m counting! ( Ha!)

 

Final Show Preparations 4 and Public View

The chocolates arrived safely in Peckham yesterday, only to be eaten by all my colleagues, if Jonathan’s text is to be believed!

IMG_3755

The locations of the bowls and the distribution of the chocolates will be up to my colleagues so I have no real idea if they will be on plinths displayed as ‘artwork’ or scattered around more informally.

I’ve been distributing invitations to the Show and the Public View on Crouch Hill, around the various communities I work and socialise with, have posted some invitations and chocolates, and pushed some through friends’ letterboxes.

If people have been involved in some way with the project they will be invited as well as friends..so dog walkers, carers group, leisure artists,  ( you can see the enthusiasm!) geocache advisor, chocolatier, printer and courier……

I will also put some invitations in a map holder and fasten it to the Trig Point at the summit. Some of the people who have been interacting with the ‘building development‘ may be interested in coming….

I’ve also sent the usual email invitations to the Show in Camberwell and will circulate via Twitter and have a few chats on Periscope beforehand to invite regular followers.

I hope, on this occasion, to have a meeting of communities ; Crouch Hill- Camberwell- Periscope.

I also have a loose programme of events for viewers during the Show, ensuring that something is present on my Twitter feed and Periscope app ( where there will be interactive cuhatvia the Live Stream)  whilst the Show is Open.

The Public View is rather more ‘structured’ as the other events depend of people who have said they are interested in being involved being available on the day……..so below is ‘sort of a plan’.

Claire Winfield will be on an archaeological dig in Dorchester-THames but will be joining us by Periscope, and Martin Winfield will be watching on the desktop app and calling in on his mobile from ‘his’ mountain in Mid-Wales….or at least that’s the idea.All the events will be Live streamed via Periscope.

13th July

Prior to the event within 24 hrs of start of the Show. It is John Clare’s birthday (1793) and I will be reading  some of his poems about enclosure. The town of Banbury, here,  borders Northamptonshire where Clare lived and wrote.

I also plan to re-install Ordnance Survey  and read from the Wikipedia texts in the piece.

14th July  

The  Public View, at the summit of Crouch Hill, will take place simultaneously with the Private View at Camberwell.

I intend to perform a symbolic ritual of exchange of a Covenant of Salt. I will give visitors small hessian bags, hand made by an upholsterer in Poole, Dorset, from re-cycled hessian. The bags will contain salt. people will be asked to mix salt from their bag with salt in someone else’s. The grains can never be separated…..and so, a lasting bond is formed. This has some origins in Biblical Scriptures  but this is not why I have chosen it. It is also performed at weddings. The significance is the prescience of the old Salt Route, The Salt Way, which runs along side Crouch Hill and was used to transport salt from Droitwich to London. I feel it links up with many of the ancient salt routes which network across Europe and Asia in a similar way to networks and systems today.

There will also be Magic Slates which are a playful mimic Freud’s Mystic Writing Pads.

IMG_3759

 

I will take the wooden buildings previously used in this events here, as recently, the encroachment of housing development across the boundary to the area, formed by the Salt Way, has been of local concern.

There is also a link to Lefevbre’s thoughts on urbanism.IMG_3763 I will also take, as far as possible, all materials, props and remnants that I have used in previous actions and events, for re- mediation/ re- animation  through conversation during the Public View.

The Camberwell College invitations that I have adapted ask people to bring drink ,and their dog if they want. I cannot carry bottles there…but I will prove some refreshments ( and the chocolates)  as in a Potlatch ceremony of exchange or ‘gift’…

Most people ask “What it it rains”….well I will be in my tent… or under the nearby trees in my waterproof.

I may or may not leave my tent up for the duration of the Show as a longer- temporary occupation…….I haven’t made that decision yet.

‘Plan’

15th July :

Reading aloud from John Ruskin’s lecture  Work  delivered at the Working Men’s Institute Camberwell  in 1865,( which I think is now the South London Gallery……..?) to link my location with Camberwell.

16th and 17th July :

Any one, none  or more of these things……depending who is available and when. All are interchangeable.

Paul Mobbs, local Quaker historian and activist telling his history of Crouch Hill and the area.

A Skype chat with Juliet Henderson, the linguist  from Oxford Brookes University, I met on the 205 bus, discussing Derrida  and ‘differance’.

A resident of nearby Broughton Castle and relative of William Fiennes, (1st Viscount Saye and Sele (28 June 1582 – 14 April 1662) , English nobleman and politician during the English Civil War) talking about his knowledge of Crouch Hill.

Me reading aloud from various history books and novels about the area, possibly reading from Benjamin’s Arcades Projects,  or W G Sebold.

A visit from Jane and Richard, caretakers of the Reading Room, Croughton linking this project with my Research Paper.

Snakes and Ladders or Scrabble with a  local theme via Periscope

18th July:

A tribute to Edith  Eisler, who died on this day in 2011. A refugee from Vienna in 1940, musician and friend of my father’s, whose legacy has provided me with the funds to follow this course. Looking at her letters to my father during WWII and listening her play the violin.

Thank You.

19th July Reading the iChing and reading from Philip K Dick’s The Man in the High Castle.

That’s All Folks.

On the 20th July I will visit Camberwell for a Final Crit with the group and then go with Clara Duran to meet other artists for discussion about the wonderful Residency Opportunity in Sortland , Norway……!!!

Pin-hole Playtime – Solargrams

Way back, I been chatting to Martin, who lives in Llandrindod Wells about working on Crouch Hill and also about Pinhole Photography Day 24th April 2016. I’ve been involved with some of his image making before – notably a significant day in 2014- but as a subject rather than participant. Along with others, he’s been part of many conversations about the site and activities I’ve been ‘planning’ and somehow  (Him/Me?) suggested the possibility of using a pinhole camera on the hill over a period of activity.

I’d been focussing on May Day but to install a camera a little earlier meant that we could incorporate any images on the Pinhole Day Website (…or  they will be there when I have written this post so that the details of this post can then be put on the website ……….reflexivity in action!) and a combination of basic  analogue and digital tech for image making. The images will be Solargrams, tracking the course of the sun from April 17th to May 23rd incorporating Beltane sunrise on Crouch Hill.

Several important factors about the process relating to my research

  • Pinhole photography uses no lens…no mediation (at this initial stage) a raw and ‘pure’ analogue process, a direct extension of a camera obscura.
  • Solargrams, like these, track the movement of the sun over time and space from a static location; they show the passage of time within space… (rather than an instant). As Martin put it…’capturing contingency’
  • Scanning the image (see process below and here)  is a critical stage of the process as the original image will be DESTROYED by the bright scanning lamp (or at least severely damaged). Therefore, only one scan is permitted. There is a built in ‘ephemerality’ of the actual material imagery..
  • Collaborating and communicating with Martin had to be via mobile as there were no landlines in Wales and no Broadband.  The wind had blown down trees and brought down the cables.. in an unknown location so impossible to repair. He had been without a phone for several weeks. Luckily he lives at the top of a hill so his mobile connection is fine.

UPDATE: Here they are on the `pinhole day’ website !!!!!

The period they were installed ( 17th April – 23rd May) means they covered the time from before to after Beltane ( whichever Beltane dates you care to choose…depending on your location/nationality).

There’s also an image of Martin’s simultaneous (ish) sunrise on May 1st on the post about that event here…. when it is written

They were positioned to face in the direction of the sunrise to catch the movement of the sun across the sky, daily, for the period they were present.

The sun rises to the left of the Trig Point.

Martin, in true precision mode, gave me co-ordinates and landmarks to make sure I was facing the right way and in the correct spot and Helen helped to keep me straight when I fixed the cameras on the trees. They were small film canisters with film enclosed.

I took some images with a Polaroid One 600 too. Just for the sake of it…Helen even took a couple of me Periscoping the install using the Polaroid….and so on! and a couple of the surroundings for context…

IMG_20160527_0001.jpg

Here are the cameras, barely visible in one case,  when I took them down.

The other had been turned carefully round so that it pointed away from the activities that often occur on summer evenings!

When I went to retrieve them, Brian, the local historian in some of the Scopes was there walking his dog….

 

These are the images that Martin produced once they had been posted off to him in Wales and scanned.

“simply scanned, inverted, & adjusted contrast curves.
The colours are “as they happened”. Even with identical location & scanning there are different colour characteristics. Maybe chemicals in the air/cannister?”

Actually, that’s just given me the idea to set up a range of identical cams, each with a leaf of a different (aromatic/toxic?) plant enclosed

very ethereal and quite beautiful.

“Here’s a snap of the images on the photo paper as they appear in daylight. Should give you an idea of how thin the image is! The image v. quickly degrades once it’s flooded with light & there’s no photochemical means of preserving the image so that it’s viewable long-term. So the use of a scanner & photoshop/GIMP to stretch the contrast is a nice mix of new & old technology.” Martin Winfield

Rh_beltane_phc

This is how Martin processed the images….

Pinhole Solargram on Ilford MGIV paper, exposed from 17th April to May 23rd  unprocessed. Scanned, inverted & contrast adjusted in Linux/GIMP by Martin Winfield – martinwinfield.co.uk

Camera info:
35mm film canister with 0.2mm pinhole in aluminium foil.

 

Vine-ing

I’ve been playing with Vine quite a lot lately.

Not at all competently, as you can see,

Many of my posts need rotating and editing see here but I can’t do that…Yet!

There are some of Ed Kelly’s Sound workshop during the Low Res which I did when I reached the limit of my understanding and attention and one of  DG interacting with the exhibit at South London Gallery.

Childish I know … but that’s what I love about Vine.

And the HOURS I could spend on it if I …had the hours!

I did make a few  of Vines of a Periscoped dice throwing action on Crouch Hill, which you can scroll through and find…and I’ve embedded the  one which works best here :

Dice-Rolling on Crouch Hill Periscope stream Vined

Screen Shot 2016-05-05 at 17.50.04

 

This seemed appropriate as a Ritual action on continual repeat..

I liked that…

There’s also a couple of my son faffing with some music ( sorry Ferg) and few Liked re-Vines with Cory and Aaron… daft but make me chortle in that bloke humour sort of way ( I try to ignore the sexism…same as always..and look to the banality only) and then in the middle of the banal is the beautifully crafted and the political satirical.

Wondering if this is a way to re- broadcast my Periscope stream from the saved Camera Roll.

Why would I want to…. is it appropriate..when should I do it if I do.

For the Dice Rolling it seems appropriate.

I’ll re think for each action I guess.

I did feel it was appropriate for the action of at all times and in all places but only the laying down of the piece itself.

I can’t edit Vine on my phone (Old 4S and it won’t let me do lots of things…the apps have moved fast …can’t get the updates) so despite spending hours on a demo of iExplorer I couldn’t get the clip I’d made into the App on my phone

(UPDATE  4th MAY – I’ve got a new SE and now can’t get it to find the vid…not trying any more..till next time..)

Anyway I made this  clip and put it on Vimeo.

Maybe it’ll make it’s way to Vine eventually…defeats the object of timeliness really but Hey Ho…

One interesting thing about Vine from a personal POV is that it pleased me when one of Ferg’s Vine friends, ( met in real life and time through Vine) then went to Paris to a meeting of Viners and met the Real ( yes, the Real) Cory!

Somehow in a sad, sad way I felt ‘connected’ to the Youth of Today……and it was a good feeling……….

 UPDATE- 4th May- maybe I should reconsider Vining my Periscope streams… especially since the demise of Katch …..

Protected: ‘Re-visited’: November 22nd: Drawing Weapons and cut-up text

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59. ‘Big Bang Data’ & Peter Lanyon

This is a Reblog of and quotes from Paul O’Kanes original article on  750wordsaweek, his art criticism blog.

I was particularly interested in this quote from Paul O’Kane below, which took me back to Tim Ingold’s ideas on the interface between  earth and air discussed in the  link above  and other of his writings.

I considered this when writing my research paper.

Fortuitously Lanyon also explicitly referred to his own idiosyncratic activities as a kind of scientific as well as artistic enterprise, often referring to the air, the (yes real, actual) clouds, the sky and the crucial behavior of ‘thermals’ as a kind of ‘Data’ that needs to be understood and appreciated in order to enjoy the delights of this slightly dare devil sport.

He discusses the nature of ‘Information’ and compares the two exhibitions finishing with the following:

Lanyon’s show, and the best things in ‘Big Bang Data’, involve humanity always showing that it is ‘bigger’ than the data it collects and works with, as we each share our very own new discoveries with a thus revived and enlightened audience.

Source: 59. ‘Big Bang Data’ & Peter Lanyon