Projection or Why do I feel as if everything I do has been done by a 14yr old in their bedroom, only better?

Well my analyst would say a lot about that title..if I had one..

and I probably should have…

I have realised that I haven’t actually posted details of the things I was doing before Christmas!

I was thinking so much about what I wanted to do that I forgot what I had actually done.

Now there’s a thing…

Well, as well as trying to get cables and projectors and then more cables and use other things as projectors and so more cables I did actually do some very basic overlaying of slides and video which can be seen below on to various surfaces.

I liked the greaseproof paper effect.

It was after this That I started to use the two analogue projectors facing each other and think about the space where they meet.

But here for the record are some vids and photos.

This slideshow requires JavaScript.

I know the keystoning is out  but I don’t care I wasn’t look ing at that or thinking about it.

This is not finished work so I am just messing.

I really want to keep the frame of the vids so it is evident that they are made on a phone.

Something about me as an artist or whoever shot the vid as being a participant who is present with the spectator…does this make sense?

More on spectator/ participant later….

Just to keep it on the same page, here are some of the black tissue /two slides projections again.

This slideshow requires JavaScript.

Things I may forget I have done!

Here’s a list of things I have been doing which do not yet ‘fit ‘ into directly into any work but are process and hopefully find a place somewhere at sometime.

1.

Last night I created a Snapchat account.

I’ve been thinking about these Time- Limited social media like Snapchat and Vine and wondering about using them to present my work when it is not appropriate for or not yet ready for use in some installation -type exhibition…

They may give a viewing space which suits as a virtual time- based interactive and ?’democratic’ space for short video and images.

I have yet to try it and have to work out how to video and photograph what I am doing in the studio for this platform as it will be different from putting it on my blog.

Documentation of my process is already proving very difficult as I don’t treacly have the technical knowhow or kit, time or space to set up cameras etc to document the stuff I am doing with various projectors in a dark small space in my studio….

I guess I’ll find a way which hopefully isn’t too formal as I don’t want to spend hours on the documentation instead of the work…unless that becomes the work….!!! back to where I started hey!

2.

I’ve been using my phone to video random clips of things that I do, that are unwitnessed by others.. such as showering and sleeping.

This has something to do with  the fact that part of me doesn’t really  feel it is necessary to ‘display’ what I have done.. that once it is done it is done… and that is the work.

Privacy/ secret/ unnecessary/ sufficient action…. not sure anyway it ids about ..if no one sees it does it mean it hasn’t happened.. the old falling tree in the forest thing I guess.

Or maybe i’ll use these in some other combination a la Pippolltti Rist!!

3.

I went to see Pipolotti Rist at Hauser and Wirth on Savile Row in London on Friday 9th.

I have lots of video of the incredible and wonderful immersive ( and I do really mean immersive) installation.

It was inspiring and totally relaxing and I realised that lying down in galleries has become ‘ en vogue’ after Marina Abramovic  at the Serpentine in the summer and now this.

It was interesting for me as there were random layered clips  of things like a lit gas ring and water pools on top of more continuing imagery of plants.. NETTLES!!! Hey! and  human skin

So it was relevant from several points of view.

A.

The content of plants and nature reminded me of the video on The Salt Way from which I keep meaning to revisit and mess with 2008.

Mine is more still camera and sky but has some of the same feel.

Though not her trademark vibrant colour… but I wouldn’t want that.

B.

The way the layering becomes like a painting… I’d discovered this when layering the slides etc myself but it felt really relevant in this exhibition.

C.

The soundtrack.. which was very gentle mixed sounds including music.

I’ve been thinking more about sound but not wanting to include any extra electronics or music.

I had a brief exchange with Ed Kelly about mixing but have had to concentrate on on cables/ connections and other visual stuff first so `i feel I can actually have some of the right tools to hand an maybe even be able to use them…

The whole effect was very gently ‘triply’ in a nice way and the gallery full of young people who looked like art students!!! and wore students clothes instead of grey, black with sever hair cuts and smart coats!

This isn’t meant to be judgmental but I felt comfortable lying on the floor with these guys and ‘in the right place’.

It changed the way the Gallery staff behaved as well with them all smiley and friendly and sort of having fun.

Even at the gallery nest door but one the atmosphere of generosity and openness has spread… It was magical!

4.

I covered my iPhone in salt crystals and played video o I made of walking along Salt Way on it and refilmed.

There is some distortion but I just wanted to see the effect.

I have not picked the best clip visually as I was walking and talking with a friend and some of the conversation was audible and personal.

I will have to sort other clips with good visuals too if I decide to use this.

5.

I have been watching Black Mirror back episodes and spotting the Neuromancer references….

Listening to Charlie Brooker  is interesting as he talks about things that were fantasy becoming reality after he had made each episode.

I had just finished reading Neuromancer when the Korean/ Sony hacking debacle started.

It was as if they had read the book and Case was responsible…

IMG_0853

6.

Also I have been watching Homeland and loving the Titles!

Overlay of video and stills seems to be ‘the thing’ but I want to do it in real space/time with analogue and digital together.

Connection, communication and time/space layers

It has been a long time since my last post though I like to think I’ve been doing a lot…. at least it feels like it!

I’ve spent/ wasted an inordinate amount of time thinking about things I would like to do, researching the cables needed, messing around with cables and connectors and then realising I maybe don’t like what I am doing or it doesn’t yet fit with what I want to do ‘right now’.

So , one of these things was to try to use my camera/iPhone and laptop to film me live so that I could incorporate this into a projection as per Joan Jonas….

I fiddled and faffed for what seemed like weeks as my projector is new (2014), my laptop is old (2008) and my iPhone is newish ( 4S bought this year).

Nothing seems to work quite right with anything else.

I get some images but not the right ones in the right window or ‘space ‘ or they are inclusive of screen or they don’t work at all and I try HDMI and VGA and every damn thing and some work sometimes and other other times and in the end it has been everything I did not want this to be which is the tech becoming the work not the work using the tech!

So now I at least can attach most of what I have got to most of what I have got and get some image from it.

I am not concerned with high res or image quality so that helps I jet want to be able to get a variety of imagery from a range of sources, some live and some documented : some still and some moving so that I can mess with them at the same time.

I guess I have got there so that I can do what I want to do when I need to and it doesn’t interrupt the ‘ flow’ too much at the time..

Oh for an AV technician and store where I can just go and get the stuff and set it up in a free space.

Have I blogged and moaned about this before…I can’t remember…

My studio is now a mess of old analogue and new digital apparatus with cables all over and ‘stuff’ hanging down off the ceiling for projection purposes.

Progress is painfully slow in the making department but I am now

  • projecting with two analogue slide projectors face to face across a hanging  film of muslin so the images combine in the middle…sometimes with black tissue to alter the final surface.
  •  projecting sometimes an analogue and a digital face to face, one with video and one with stills on slide.

I HAVE NOT A CLUE WHY I AM DOING THIS….yet…

Something to do with layering and interface and no- interface but it needs extension.

  • I have made home made slides from images ( scans of cling film drawings of old photographs and scans of the old photograph originals) from acetate and used these
  • They don’t melt if you leave them for a limited time in view.: Sometimes these stick and separate in the auto function so I have spent many a happy hour unjamming cartridges, slides, carousels .. also replacing old bulbs, sourcing new ones, fainting at the cost…..
  • Ones printed on acetate with inkjet DO smudge no matter what the advertising states but maybe I can use this smudginess in the future to good effect.
  • I’ve also made some prints from the A4 inkjet on acetate copies and they make interesting acetates when the print has been taken off … See below

    This slideshow requires JavaScript.

So my actions are still about using 2D images and video but since finishing Neuromance and overhearing my sons at Christmas chatting about ‘getting into’ a server in a set time -frame I ma thinking more widely about digital geography and the psychogeography of the space.

Also I guess the psycho- geography of any space I may create and the nature of virtual image..?

I have been moving ‘stuff’ in my studio, propping things up, lifting the heavy projectors, arranging the cables and then projecting the images which float until they arrive on a surface, wherever that may be..maybe meeting another image or a physical surface…….

I’ve been reading

Digital and physical surfaces.
Published:London : Chelsea College of Art & Design, 2007.

Presentation of practice based research by Brook & Black, Shelagh Cluett, Paul Coldwell, Philip Courtenay, Maryclare Foá, Jo Love, Barbara Rauch, Andrew Stiff, James Faure Walker, David Waterworth, David Webster, Jungu Yoon.

and

Walking and mapping : artists as cartographers / Karen O’Rourke.
Author:O’Rourke, Karen.
Published:Cambridge, Massachusetts : The MIT Press, [2013].

Which I guess has influenced this.

I have made notes which I will post separately and have some pages in hard copy as I still like to have a physical book where possible and pages copied after to scribble on.

The images and video I’m including here don’t really do justice to what I am doing as to get good doc imagery would take forever to set up lighting and composition wise so I will just use these and my other files as aide memoir

This slideshow requires JavaScript.

Reanimation : Joan Jonas and personal frustration

Yet more outstanding work.

Somehow I want to encompass all that Joan Jonas does and more.

Without the stage theatricality though and with some sense of collaboration and relational aesthetic, and possibly more raw and physical.

 

 

 

 

and

 

http://act.mit.edu/videos/2013/12/joan-jonas-reanimation-an-ongoing-performance/

The past few weeks have been frustrating and demoralising.

The combination of

  • Wanting to use both older ‘retro’ technology along with new digital which don’t want to work together
  • All equipment both old and new costing so much money
  • All equipment needing very time-consuming research to see if it will perform the right functions when I eventually get it
  • The fiddling with the tech which inevitably doesn’t work to start with
  • The lack of space and constant moving of ‘stuff’ around in my increasingly cramped studio space
  • The lack of technicians to advise
  • The lack of equipment to just play with in the AV store
  •  The lack of ‘creative base’ of colleagues working in similar fields where there is an energy to revitalise me when the going gets tough
  •  Physical difficulties with untimely fatigue and painful symptoms on  the days I have available to work.
  • Difficulties with my sight which have made reading, assimilating what I read, and concentration almost impossible.

Today has been better.

I had some training yesterday on Dragon software and it has helped to get me off to a slow start but with gathering pace during the day.

I’ve been able to publish these drafts which have been pending for the last few weeks.

I have been busy with the things above for quite a while: so have been working but not producing work.

It always feels like such a waste of time.

Nothing useful to document.

Nothing useful to see.

I am a little clearer now on how I want to experiment further in some direction rather than spinning round and round like a broken compass!

Creative Computing with Science Oxford

THANKS GIRLS!!      WONDERFUL WORK!        GREAT DAY!

HAPPY CHRISTMAS!!!

This slideshow requires JavaScript.

Over the past two weekends I’ve been helping with creative input on the Creative Computing Taster Days and Workshop run by Science Oxford at Cornerstone Arts Centre, Didcot and funded by the Royal Academy of Engineering. Video- links will be posted soon.

The sessions were for girls from 11 to 16 and were based around  the use of Arduino as a micro-controller as a way of making interactive creations.

The taster days introduced the girls and myself to writing ‘sketches’ to programme and Breadboards for the circuitry.

Besides myself there were several volunteers from various professional backgrounds. including corporate software and training, Rutherford Appleton public engagement department (Sophie), electrical engineering (Vance) and creative sound work ( Kevin),who helped with the programming aspects

Jennifer Van der Puil and Natalie from Science Oxford led the day.

It was a fantastic opportunity for me to they a little basic coding and really see the various was that Arduino could be used in my art practice.

Using various sensors and switches to control events from something so small that it can be almost invisible in an installation setting is  one of the means I may use to enable to change an environment.

It would be easy to get very involve din the coding now though and I don’t want to do that.

Simply to know some of the straingforward possibilities is great.

If young girls can manage it …there may be hope for me.

Their enthusiasm, imagination and focus was a wonder to behold!

All they needed form me were reminders on process (Thank you Kolb model!) which was based around

  • Imagine what you would like to build ( brain storm and spider diagram)
  • Draw a sketch drawing to imagine it in 3D and so that you can show other trainers what your aims are.
  • Start to make the model.
  • Reflect on the model and its functionality.
  • Start the programming.
  • Complete the circuitry.
  • Return to making the model to reflect on how your electronics will fit in the model and will it still work.
  • Reflect also on the changes you may have to make in your model.
  • Return to the programming/electronics with changes.
  • Make the final model with necessary changes.

It was really interesting to see  how this age of female student approached their work and the difference in materials and process from building to creating code.

They all made fantastic and entertaining  ( often Christmassy ) constructions with music, flashing lights, and whirling mustaches!

It was especially interesting to me as a contrast to the art leisure and gallery-based education process I am involved with and as a way of getting my own confidence with Arduino.

To some extent the process was difficult because of things like eyesight!!

I had some difficulty seeing to wire the Breadboards.

I will need to spend some time working  on this until I am confident

`

Eating Pomegranates!-“Let me count the ways”

Last week I did my on-line shop and in the substitutes I got three pomegranates packed for the price of one loose!

When my son prepared it for eating, he did a neat thing where he bashed the bottom and all the seeds fell out in a bowl!

I have always used a pin and taken them out one by one…..That way you learn to savour each seed until you loose patience and tear them out. Usually eating some bitter membrane at the same time.

I’d shown him that method which was shown to me by my grandmother and mother.

I asked him where he’d learned the technique and, of course, said ‘YouTube!’

This made me think back about the group discussion we had about learning methods, sharing/dissemination of information and trans-literacy.

And the used of embedded advertising….

Here are some pomegranate examples ( there are a lot more, believe me!).

Just find the one that suits you. With thanks to all contributors!

pom

 The Eco-Friendly Family

 WikiHow

LocalFoods

Reflections on Group Crit. 4/11/14

I’ve chosen to post this video again via Vimeo this time to focus my thinking on it.

Generally the crit was extremely productive and looking at others work was stimulating.

These Skype chats are even more exhausting than the face-to-face experiences at CSM!!!

Sarah’s work is dealing in some ways with similar issues to mine , so it is exciting to see how hers is developing.

We feel like a coherent group now but it is a very different experience from CSM as everyone generally gives positive feedback and little negative.

I find this hard as I am used to a harsh but still productive experience…no holds barred.

Maybe this will change as we get to know each other better.

I have chosen to use Vimeo instead of YouTube, much to the derision of my 16 year old son!

The crit was very useful but my phone couldn’t cope with all the chat and kept crashing.

I’m looking forwards to having my new computer but it is still about 10 days away I think.

The crit highlighted some of the issues I have come across when other were commenting.

Peter felt Michealmas resonated with him and recognised the flashing images as thoughts crossing our minds when walking.

Keir felt that

‘the cadence of the sound fitted it together, to unify it , the crunch, break, crunch.’

Fraser had mentioned this when he saw it last week.

Interesting as they are both musicians.

Yvonne felt that both videos had a dream-like quality. but that they were disconcerting to the viewer in different ways,

‘The interpolated images of Michaelmas gave one a very unsettled feeling, like we are watching a crime that was committed but as in a dream where we can’t recall it all’

and Pascale agreed whist finding Michaelmas ‘intriguing’.

This is rather difficult for me as Helen felt that

‘It was like watching an episode of Lewis. Where the dog discovers a body’!!!!

and today Jon Shapley also said it felt sinister.

I had taken out the images of me lying on Salt Way from the original Salt piece as I thought they may be subliminally suggesting a murder but left in the ‘Red’ images.

I do not want to suggest this so do I change it or let it be and interpret it, let it be sinister and work with that.

As I respond to the place I did think at the time of making the works ‘Why was I doing this?’

I was consciously responding to the carrying of the salt from Droitwich to London, but, especially when I made the ‘Red’ images, it started to look like something else.

I even wondered if there had been some terrible murder there many years ago, at the site of my making these works?

Very odd and fanciful thoughts and not easily researched as there seems very little documented about the Salt Way in Banbury apart from recent history.

Do I decide to research this aspect of not.

I could construct this narrative but this is not really what my work is about now and is more like Sarah ( Robinson)’s constructed past…

Hmmm…..

Yvonne felt that  the clip of video ( Number two) projected through Cling-film was

‘as if one was trying to recall a memory, again. but only pieces are flashing though.

Very evocative.’

Sarah found it intriguing but Pascale

‘a bit more confusing, like memory fading’

When I explained to Keir my reasons for using cling-film ( liking the way it moves, is transparent and has associations with preservation), he suggested

  • Screen Printing imagery onto film.. (imagery from the videos containing drawn images ) There are on- line guides to screen printing at home … or maybe the local printing Group ( Roger)?
  • Placing multiple layers of cling film papers in front of each other and projecting through ( I’ve already got several layers but just of cling film sections). I explained that I want to want to draw over some of the projections and stills in real time.

Pascale and Yvonne were excited about the crazy and Kaleidoscopic imagery which may result and Pascal suggested using a more predictable material but, of course, I don’t want that!!!

Keir also suggested

  • using a cam that films me drawing and projects (?) ( I had planned using an observer to film)
  • using a projection of a drawing
  • a V/J package and a tablet to draw with ( This sounds interesting! )
  • Trying lots of different opacities of material- tracing paper, skin
  • Video -mapping which he says is easier than it sounds ( I will have to wait for my new machine to do that!)
  •  Using OHP’s, slide projectors ( done but not in combination yet ), lamps with masks.
  •  layering slides with video mapping and different materials.
  • using shadows ( which I had thought of re: Joan Jonas.
  • I explained that I want to project onto objects but not really assume their shape as v.m may do ( or maybe that is just my limited understanding.

He seem to be happy to discuss technical issues but his advice at the moment is to just PLAY!!!

I explained how I want to make some more slide film but was worried about the acetate catching fire if I printed onto that…..?

He suggested photographing drawings/video with slide film for re-projection which I’d already thought about a bit and will research getting and developing the film. Yvonne liked this retro theme…

Sarah suggested using Image Maker ( I assume she meant the Software but I realise now you can get something which transfers images from photocopies onto fabric.

I will order some and mess around with that.

One good thing was that Keir really did think it did express themes of change and co-existenceof past/present, as did Yvonne who said that was what gave Michaelmas the dream-like quality and the feeling that neither past or present are quite real.

This is great just what I am aiming for.

I asked also for feedback on Monday from the members of the Bodicote Church House Art Group and they generally gave similar descriptions of it ( M)  not necessarily being a pleasant walk, being about reflection, something I did over and over again.

Louise and Katherine also made similar comments but of course, especially Louise, know that I have made work along Salt Way so are not viewing from a pure stand-point…neither is Jon.

Today, 7th November. Jon came for a shared crit and saw the whole set up although it was not dark in the studio.

Through the cling-film Michaelmas was hard to discern, even more dreamy and the dog hardly visible.

Jon said this made it even more sinister as there as no real reason to be walking so he kept expecting something to happen…

When he viewed Be still my soul  Number One through the cling film I asked if he thought it sentimental because of the music.

He said no because the imagery was the opposite of sentimental and about destroying something.

Similar to the feedback Sam gave.

I explained about using Arduino to change the projection possibly as viewers move to the cling-film…However the shadows obliterate any projection in my small space.

Week four – reflections on work so far

More here soon. Ha! Well, OK not ‘soon’ as it has taken me till now, 5th October, to sit down and write something.

It’s is not that I haven’t been doing and thinking and reflecting but ver..ry slowly in a turgid sort of way.

I have not felt activated by anything I am doing, obstacles are not challenges but obstacles!

So finally after two weeks of fever, fatigue and residual lethargy I have been able to be active, sociable and now feel able to write some of my reflections.

Obviously many of the fleeting thoughts have been left behind but I can inly trust in the process that the essential will rise to the surface of the settling pool and be available for contemplation.

So,

Binary and Printing (and Drawing): Reflection

The binary clay seals I made finally dried out and I had a go at printing with them.

Not really successful as they were not fashioned smooth enough to use on paper and the ink was absorbed by the clay so even printing on fabric was not really successful.

I will try using the relief on some clay but suspect as they were not fired it will crumble and break as this already started to happen when the ink was applied.

So the question is:

Do I source a kiln ( Helen S?) , make some better ones, fire and try again or do I shelve the idea?

They were interesting objects and visitors generally saw some references I had hoped for.

Several comments about the ‘things used in the da Vinci code’! ( is this a good reason to watch it again?!)

I had a notion of making some in glass which would be really enjoyable but very time consuming if not really relevant.

I still do like glass as a material for all the tranformed, not really one thing or another  ( solid/liquid), constantly moving, reflective, transparent reasons.

And I love working with Helen in the studio!

I love the place and, as you will come to understand, ‘place’ means a lot to me – sparks off all sorts of ‘stuff’.

SO I think I enjoyed making them and the binary text thing is still lurking, as you will see later, but I am not sure yet where it ‘fits’.

I have been continuing with printing images made from documentation of actions and will upload images in my next post .

I am not sure what it is I am doing but I think I am Processing  the memory.

Working over and over again on the same image.

When I am tracing over the image, the result  become less accurate and so the image underneath is a more distant  represention of what went before.

Often when I am doing it I become bored with the repetition and am just doing it for the sake of doing it.

Not fully present in the action.

Similar to the way our bodies adapt to some sensations and so can distance our selves from, for instance , the feeling of our clothing and ambient sounds, in order to stay sane.

This then makes me think of maybe paying attention to all the forgotten experiences of our day to day lives…

and also to change my emphasis  more to ‘forgetting’.

I’ve written  before  ( BA dissertation )  Link??? about  fact and fiction in documentation and the fluidity of this but I feel my emphasis  this time is different.

My main concern is that I have been bored by this and by the results.

If I am then why would anyone else be interested! and I ‘m at the beginning of the MA!! Not a good time to be bored!

Also feeling very frustrated at not being able to go on the Liverpool trip or visit galleries etc the way I would like to.

Feeling devoid of inspiration and the things that make us perceive things differently.

But being aware that if my analysis is to be of the human memory vs. digital memory, what I am doing is engaging in the Processing part of the PROCESSING, STORAGE, RETRIEVAL procedure.

I felt comforted by this and have tried not to think too far ahead.

Experiments with analogue materials: Reflection

I really enjoyed playing with the materials and after finally getting my old Mac to read the files and uploading them into an ancient  version of iMovie I enjoyed messing around with editing.

The only problem is that I find the software ‘clunky’ and am a novice so the edit is rubbish.

Again it’s fine for playing around with but it would be good to make something that wasn’t scruffy.

Making the piece with Claire was interesting as it made me think of ‘what is collaboration?’

Her thoughts were interesting as we discussed the nature of archive and the possibility of filming in my loft ( where all my personal family memory-keeper’ stuff is mostly ( apart from the bits I am trying to edit and file)

Of course as this MA proceeds I realise that in ‘clearing crap’ during the summer I have thrown away things that would now be useful.

The less relevant life documentation with un-recognisable places and people that now I am interested in.

Anyway, back to the videos.

I liked the two short edits but the orientation of all three videos makes the reading completely different.

I took them to my Monday leisure Bodicote House Art Group for their critique as an objective audience and  their  interpretations were interesting, orientation featuring in their understanding of what was happening.

Peter commented that the music on the third edit was somewhat overwhelming and I agree but I really like the visuals and the sound of the tape clattering which of course can’t be separated from the rest of the soundtrack as they were recorded together.

I am tempted to re-make but I dislike the idea of repeating and rehearsal and more than the minimum of direction as it takes away the chance, spontaneity  and resulting raw affect which may arise.

When filming on my iPhone there were several other videos which I have discarded, the other with me filming and Claire W ‘playing’ with the tape.

I’ve since tried to project the video so I can ‘draw into it’ but much faffing about with the projector and it still won’t read the file.

I am increasingly frustrated by my ineptitude with the tech. esp as this is a MA Fine Art Digital and I feel as if I haven’t a clue.

Spent a lot of yesterday afternoon trying to download various converters and use them to convert M4V file into something readable but to no avail.

I have passed to my son and his pc but fear that it may be protected, not ‘something to do with my ancient Mac OS’ .

What I have done is to draw/trace  from stills on my laptop which has been useful in the continuing ‘processing’ of the documentation.

More of this in my next post.

 

 

 

Week 1- Binary and printing


My thoughts for some time have been regarding units of memory, digital or embodied.
I am interested in the concept of prints used as a means of fixing memory.
What is fixed and how fixed is it rather than a drawing which is more fluid, inchoate, temporary?
The impact of our ‘digital age’ is likened that of the invention of printing press in the 15th Century and so to Enlightenment and Reformation in Europe.
As I am moving back, re-examining and re-presenting work it felt appropriate to investigate the some of the earliest examples of prints.
Rather than those made directly with hand and mouth,40,000 years ago I wanted to explore those mediated through another material, an interface, between hand and the print made.
I used Sumerian cylinder seals 

I wanted to reduce ‘something’ to composite units: Text to binary.
At night, a fragment of remembered speech/verse/text came to me as I fell asleep.
I cannot remember if I heard it/ spoke it/read it.
I typed the few words into Safari on my phone and found the full quotation:

‘There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.’
William Shakespeare – Hamlet Act 1, scene 5, 159–167

and converted it into binary notation:

01010100 01101000 01100101 01110010 01100101 00100000 01100001 01110010 01100101 00100000 01101101 01101111 01110010 01100101 00100000 01110100 01101000 01101001 01101110 01100111 01110011 00100000 01101001 01101110 00100000 01101000 01100101 01100001 01110110 01100101 01101110 00100000 01100001 01101110 01100100 00100000 01100101 01100001 01110010 01110100 01101000 00101100 00100000 01001000 01101111 01110010 01100001 01110100 01101001 01101111 00101100 00100000 01110100 01101000 01100001 01101110 00100000 01100001 01110010 01100101 00100000 01100100 01110010 01100101 01100001 01101101 01110100 00100000 01101111 01100110 00100000 01101001 01101110 00100000 01111001 01101111 01110101 01110010 00100000 01110000 01101000 01101001 01101100 01101111 01110011 01101111 01110000 01101000 01111001 00101110

The initial small positive and negative cylinders have a small amount of the binary notation inscribed.

Below is a monoprint of part of the text and also the residual imprint on the glass plate after the print has been removed.
This latter is, of course, not reversed whereas the print is.

Using prints of the documentation images from Unscheduled (2010) seen in my first post, I made monoprints and photographed the prints and the residue as below.
This time the digital ink prints I used to draw from were in black and white and of rather poor quality.
It was hard to determine the lines I wanted to follow.
The lines I made did not follow the original as exactly as before.
Some lines were made which I realised afterwards did not follow the original thread but were joined as I saw them as I was making this drawing.
The print became more of a construction based on an original than a representation.
It was not even made from my memory of the drawing or of the original performance, but an act of piecing together the fragments of visual information I could retrieve from the paper copy to make an image on the paper and the glass plate below it.