Public View/Private View

Below is a collection of images from the Camberwell  MA Summer Show 2016.

Two events took place simultaneously.

I was broadcasting via my channel on the Periscope app. from the Public View, on Crouch Hill, Banbury, Oxfordshire.

Visitors to the Private View at Wilson Street, Camberwell  College of Arts, London could access the Public View by the Periscope app and Twitter.

The chocolates displayed in both locations displayed my Twitter username, so the audiences could join the broadcast from Crouch Hill.

The Periscope audience also included random on-line passers-by and followers who had watched  during other broadcasts during the year.

A global audience of ‘friends’ and strangers sharing social, geographical and digital space simultaneously.

Other events took place during the days of the Show which are recorded in previous posts.

This is the final post of my Research Blog.

More recent work and connect via 

Collective Residency at Nordfisk Museum, Melbu, Nordland in August 2016 –

HereBeArt and https://storify.com/sangrownun/art-as-research

vectorcatalyst

@sangrownun

Thanks for looking!

This slideshow requires JavaScript.

This slideshow requires JavaScript.

Advertisements

Final Show: #CrouchHillBanbury

Despite the recent Periscope app update which now allows permanent archive of Broadcasts with chat, I made the decision to allow auto-delete after 24 hours.

The ephemerality and impermanence is an essential component of my work and process, highlighting the concept of dynamic socially created space.

Traces of previous broadcasts are now no longer visible as they were previously

Paradoxically, the events below are heavily documented through Screen-shots from the Broadcasts, created within the 24 hrs before they became unavailable……

it’s really hard to let things go…especially when you need evidence of your process….

 

John Ruskin – Work:

15th July

I read aloud from John Ruskin’s lecture ‘ Work ‘ delivered at the Working Men’s Institute Camberwell in 1865,( which is now the South London Gallery……..?)

to link my location on Crouch Hill in Oxfordshire with Camberwell. This also served as a point for further reflections on work, labour, art and relative positions in contemporary society.

This slideshow requires JavaScript.

There were 130 in the Lifestream audience at one point and generally retention was better with people usually sticking it out for a while on each brief Scope.I’m finding the stats interesting to analyse despite not searching for ‘Likes’.

I decided to leave the tent up for the duration of the Show, over the weekend and for the rest of the week until Tuesday evening.

I wrote a note to explain and left it in the tent. I left contact details as well, out of courtesy.

Often, teens camp-out and sometimes just leave the tents.

I didn’t want it to be damaged, removed, offend someone unnecessarily or occupied by another person!

Martin Fiennes – Broughton Castle:

16th July:

Martin’s parents are Lord and Lady Saye and Sele.

William FIENNES (1st Viscount Saye and Sele).The only son of Richard Fiennes, 7th Lord Saye and Sele, he was educated at New College, Oxford, and succeeded to his father’s lordship (barony) in 1613. English politician and promoter of colonization in America. He was a Puritan in religious sympathy and a leader in the House of Lords of the opposition to James I and Charles I.

I invited Martin to Crouch Hill, where he spoke of his visions for the preservation of areas of countryside, whilst accommodating the need for housing into the future. He also talked of  his imaginings of the Puritan and Royalist troops, noisily riding up and down past the foot of the Hill along what is now a busy B road, prior to the siege of Banbury Castle, and the Battle of Edge Hill in 1642.

It brought the past alive for a moment or two, and changed my visions of the present.

He was surprised and amused by the 249 viewers.

This slideshow requires JavaScript.

Dozing in my Tent:

17th July

I just started to broadcast  and lay down in a warm tent for a doze…showed the sky to  over a hundred people…Strange, this periscope business…

This slideshow requires JavaScript.

33 comments! and a surprising number of viewers.

also found a note when I opened the tent…. it said ‘PLEASE DON’T ‘

I wasn’t sure what they wanted me not to do?
Stay….? Go…?

Some dog-walkers came past and had a chat

Paul Mobbs (@ramblinactivist) :

17th July

I’d invited Paul to talk as he has a deep knowledge of the Quaker Civil War history of the area and an involvement in peace activism in contemporary conflict.

He forms a link from this final work to my initial investigations in Croughton , the Reading Room and RAF Croughton.

In fact, when he arrived he didn’t want to talk about those topics at all but lead a popular walk around the Hill discussing local geology and its implications.

This slideshow requires JavaScript.

Edith Eisler, 

18th July

This was the anniversary of Edith’s death in 2011. A  violinist, teacher, noted musician and critic.This is  a recording of her playing Hindemith 

I told the story of how my father became friends with Edith and her family during WWII, following their movement from Vienna to Britain.

Also their subsequent correspondence whilst my father found and located in Japanese POW camp in the Far East, and following his release.

This family correspondence continued, even following my father’s death.

Her kindness has enabled me to pursue this Post-Graduate study.

(Along with a Vice- Chancellors Scholarship from The University of the Arts London).

This slideshow requires JavaScript.

 

iChing and Philip K. Dick

19th July

I am interested in the link between subjective evaluation involved in Divination practice and ritual with the binary code which underlies all things digital.

See this article here in The Guardian

and this J Proteome Sci Comput Biol. 2012; 2012(1): 3. Published online 2012. doi: 10.7243/2050-2273-1-3

I had hoped to use yarrow stalks from the Hill but the season was late and there were few available.

I’d also thought of using Glo-sticks but their popularity at the Public View put paid to that…everyone wore them home..

So I used the cards I’d used in previous broadcasts.

The whole event became ludicrous…more so than other Scopes, as Tia and Purdy, the dogs belonging to my ‘assistant’ were in playful mood.

In the end one of the dogs, Purdy, selected one of the cards…

I read from Philip K Dick, the visionary writer, who cites the iChing in The Man in The High Castle.

His alternative outcome from WWII, and the implications, are  worth re- considering now, I believe. The sun set, the moon was almost full.

In total with Louise’s simultaneous broadcast of the event, there were over 750 viewers..

???!!!!

These were the cards selected.

4 Meng: INEXPERIENCE

Humbleness and sincerity when comprehending will increase knowledge.

9 Hsiao Ch’u GENTLE RESTRAINT, HOLDING BACK

Dense clouds suggest postponing the action till after the rain.

56 Lu: THE WANDERER, THE TRAVELLER

The steadfast and persistent traveller will have good luck.

Make of that, what you will….

This slideshow requires JavaScript.

 

 

UAL Summer Show: Camberwell College of Arts, Wilson Road, London SE5 8LU

20th July

I went to the Final Crit with my cohort at Camberwell. Saw many of my colleagues and enjoyed seeing the Show.

It was odd walking into an exhibition containing my own work but where I had delegated set-up to colleagues. They had displayed many of the bowls around the building but as these are now empty they had been removed.

The last remaining had been give a plinth, two bowls placed one inside the other with a top light in a dark space. It looked tremendous! Donald Takeshita-Guy had been mainly responsible and is keen on developing his curation skills.

It worked really well

IMG_4537

Later, Clara and I met with the collective of artists to talk about plans for our residency in Norway in 3 weeks time. Very exciting.

Little Venice Studio  with Clara Duran, Keir Williams,  Dave Meckin, Alice Helps, Joe Fairweather-Hole

and then…..NORWAY RESIDENCY and Neptune Developers Camp, Melbu, Nordland

Neptun Introduction

and as Manuel from MAFAD said

” So long and thanks for all the fish”

Its been amazing,  Thanks Jonathan K!

Continue reading

#CrouchHill Banbury #Public View #Camberwellual

Louise messaged me this photo of the yarrow emerging on the morning on the Public View…

Better late than never…YARROW

Some of the people who had been involved in the events, gathered over the evening at the summit.

Several of us were broadcasting the event via Periscope and others who had been involved but couldn’t be there in person ‘hopped on’…

Some people managed both- to be there at a distance and then join in person…

 

Some of the sharing paraphernalia…

People brought Champagne and flowers

 

 

The Covenant of Salt, ‘Twitter’ chocolates, and Mystic Writing pads were enjoyed by many… even those who claimed no artistic talent!

Games had unexpected winners..or no winners at all depending on the play.

People were Periscoping people Periscoping people Periscoping ………etc

 

Clara Duran was taking photos of the Summer Show in Camberwell at the same time, and watching proceedings on Periscope on Jonathan’s phone ( see later)

I hadn’t realised that they had also announced Clara and my Residency Award in Norway  at the award ceremony.

 

Here are images of some of the group’s work : Clara, Tristan ( our work has some similarities..) Pete ( who I have still never met!), Pascale, Donald, Yvonne and Sharon

SIMULTANEITY:

Some examples of the simultaneous images taken and simultaneous events ( if the clocks on our phones and cameras and image files are to be believed ) in Camberwell and on Crouch Hill.

 

19.41

 

19.46

 

19.53

 

20.14

Below are some screen shots which show the involvement of the Periscope audience when I went to find Clare Carswell, who also took many of the documentation photos – Thanks Clare)

She had been following proceedings on the phone but then drove to the Hill to try to find us.

I had thought of putting up signs but it would have changed the event and the Happenstance element for people who hadn’t had direct invitations

Also it was fun to see people randomly wandering around, getting lost, finding each other, talking to strangers, and eventually finding us at the summit!

 

‘ I’ve never seen so many Lost People!’ – Thanks JimStr

People made it to the top, physically and via our Live streams.

 

Drawing time is Catherine Lette,  who was documenting her visit to the Summer Show Private View in Wilson Road, Camberwell and simultaneous experience of Crouch Hill, Public View and some of my work in the process

The Screen shots below are from my Stream

 

These are from Catherine’s @drawingtime phone and stream

 

These are from Sharon Bertram’s

 

Here’s an example of chat during the stream…Anything from dog snacks to Brexit

Which at least gives it some time-reference.

Importantly, people  visiting the Show did seem to be accessing the Periscope Broadcasts at least via the Twitter feed from the Username on the Chocolates!

[EDIT 21st July:  There were large numbers in the LiveStream Audience by the end of the Show – over 700 for the last broadcast ]

 

Finishing with some amusing screen shot showing middle-ages people whth Glo=Stick necklaces.

I’ll never forget wending our way down the Hill carrying the tent etc, winding through the woodland in the dusk, Glo-necklaces bobbing up and down in the distance…Sadly not on the Broadcast

 

The event went well with some good interaction and a reasonable audience in both ‘locations’, from 30- 159 on the stream…not that I’m counting! ( Ha!)

 

Final Show Preparations 4 and Public View

The chocolates arrived safely in Peckham yesterday, only to be eaten by all my colleagues, if Jonathan’s text is to be believed!

IMG_3755

The locations of the bowls and the distribution of the chocolates will be up to my colleagues so I have no real idea if they will be on plinths displayed as ‘artwork’ or scattered around more informally.

I’ve been distributing invitations to the Show and the Public View on Crouch Hill, around the various communities I work and socialise with, have posted some invitations and chocolates, and pushed some through friends’ letterboxes.

If people have been involved in some way with the project they will be invited as well as friends..so dog walkers, carers group, leisure artists,  ( you can see the enthusiasm!) geocache advisor, chocolatier, printer and courier……

I will also put some invitations in a map holder and fasten it to the Trig Point at the summit. Some of the people who have been interacting with the ‘building development‘ may be interested in coming….

I’ve also sent the usual email invitations to the Show in Camberwell and will circulate via Twitter and have a few chats on Periscope beforehand to invite regular followers.

I hope, on this occasion, to have a meeting of communities ; Crouch Hill- Camberwell- Periscope.

I also have a loose programme of events for viewers during the Show, ensuring that something is present on my Twitter feed and Periscope app ( where there will be interactive cuhatvia the Live Stream)  whilst the Show is Open.

The Public View is rather more ‘structured’ as the other events depend of people who have said they are interested in being involved being available on the day……..so below is ‘sort of a plan’.

Claire Winfield will be on an archaeological dig in Dorchester-THames but will be joining us by Periscope, and Martin Winfield will be watching on the desktop app and calling in on his mobile from ‘his’ mountain in Mid-Wales….or at least that’s the idea.All the events will be Live streamed via Periscope.

13th July

Prior to the event within 24 hrs of start of the Show. It is John Clare’s birthday (1793) and I will be reading  some of his poems about enclosure. The town of Banbury, here,  borders Northamptonshire where Clare lived and wrote.

I also plan to re-install Ordnance Survey  and read from the Wikipedia texts in the piece.

14th July  

The  Public View, at the summit of Crouch Hill, will take place simultaneously with the Private View at Camberwell.

I intend to perform a symbolic ritual of exchange of a Covenant of Salt. I will give visitors small hessian bags, hand made by an upholsterer in Poole, Dorset, from re-cycled hessian. The bags will contain salt. people will be asked to mix salt from their bag with salt in someone else’s. The grains can never be separated…..and so, a lasting bond is formed. This has some origins in Biblical Scriptures  but this is not why I have chosen it. It is also performed at weddings. The significance is the prescience of the old Salt Route, The Salt Way, which runs along side Crouch Hill and was used to transport salt from Droitwich to London. I feel it links up with many of the ancient salt routes which network across Europe and Asia in a similar way to networks and systems today.

There will also be Magic Slates which are a playful mimic Freud’s Mystic Writing Pads.

IMG_3759

 

I will take the wooden buildings previously used in this events here, as recently, the encroachment of housing development across the boundary to the area, formed by the Salt Way, has been of local concern.

There is also a link to Lefevbre’s thoughts on urbanism.IMG_3763 I will also take, as far as possible, all materials, props and remnants that I have used in previous actions and events, for re- mediation/ re- animation  through conversation during the Public View.

The Camberwell College invitations that I have adapted ask people to bring drink ,and their dog if they want. I cannot carry bottles there…but I will prove some refreshments ( and the chocolates)  as in a Potlatch ceremony of exchange or ‘gift’…

Most people ask “What it it rains”….well I will be in my tent… or under the nearby trees in my waterproof.

I may or may not leave my tent up for the duration of the Show as a longer- temporary occupation…….I haven’t made that decision yet.

‘Plan’

15th July :

Reading aloud from John Ruskin’s lecture  Work  delivered at the Working Men’s Institute Camberwell  in 1865,( which I think is now the South London Gallery……..?) to link my location with Camberwell.

16th and 17th July :

Any one, none  or more of these things……depending who is available and when. All are interchangeable.

Paul Mobbs, local Quaker historian and activist telling his history of Crouch Hill and the area.

A Skype chat with Juliet Henderson, the linguist  from Oxford Brookes University, I met on the 205 bus, discussing Derrida  and ‘differance’.

A resident of nearby Broughton Castle and relative of William Fiennes, (1st Viscount Saye and Sele (28 June 1582 – 14 April 1662) , English nobleman and politician during the English Civil War) talking about his knowledge of Crouch Hill.

Me reading aloud from various history books and novels about the area, possibly reading from Benjamin’s Arcades Projects,  or W G Sebold.

A visit from Jane and Richard, caretakers of the Reading Room, Croughton linking this project with my Research Paper.

Snakes and Ladders or Scrabble with a  local theme via Periscope

18th July:

A tribute to Edith  Eisler, who died on this day in 2011. A refugee from Vienna in 1940, musician and friend of my father’s, whose legacy has provided me with the funds to follow this course. Looking at her letters to my father during WWII and listening her play the violin.

Thank You.

19th July Reading the iChing and reading from Philip K Dick’s The Man in the High Castle.

That’s All Folks.

On the 20th July I will visit Camberwell for a Final Crit with the group and then go with Clara Duran to meet other artists for discussion about the wonderful Residency Opportunity in Sortland , Norway……!!!

The more things change…..

After choosing not to archive my streams, Periscope now gives the option keep the Scopes for ever!…… I’ve just has a notification when I opened the app.

It’s been coming for some time in different forms, since the demise of Katch…as seen here  using the appropriate #.

But now it’s here automatically …if you want it!

In the meantime here are some of my streams  ..

21st May: I broadcast Louise and I looking through documentation of some of the work I made on Crouch Hill , some 8 years ago. Neighbours and our sons were involved in this work. We shared our memories and I reflected on the work, the space, then and now.

22nd May: I took down the pin-hole cameras and broadcast that process. Brian Little, historian and Elvie the dog, happened to be there at the same time.

29th May: I opened my birthday gifts from Louise on the Hill and shared the experience with the Scopers. There was little Trolling! Just jealous…

31st May : Walt Whitman’s Birthday. I read two Walt Whitman poems, Song of the Universal and To think of Time, from Leaves of Grass. These poems address, `time, Space, ephemerality, rural life and politics with thoughts of simultaneity. It rained very hard and I abandoned the reading because the wet paper disintegrated.

3rd June: Colleague, Jon Shapley, whose work also addresses issues of space, came  up the Hill and we discussed the nature of the space of Crouch Hill. I read from the summaries  key to my Research Paper that  I’d presented for the Research Discussion in February. He used to work in town planning, so I asked him to ‘build’ a new development, as housing is being constructed around the Hill as this project continues. There was some interesting ‘chat’  and lots of interaction as visitors to the summit altered the installation.

 

IMG_3392

and its still continuing now… see Twitter Here and Here 

I also made a Vine : I was reading from Bailey’s thoughts on Time Perspectivism whilst Jon built a village.

5th June: I wasn’t intending to Scope but as we reached the summit, I heard people partying. Some people had had a camp-out. The first I’ve seen this year.. It was an unusually warm day. The space changed again

IMG_3372

13th May: I broadcast Trace see in this post An inadvertent but significant simultaneity

22nd June: I broadcast For the Heart. I  read from classic texts, Hilda Leyel’s  Herbs for the Heart and Gabrielle Hatfield’s Hatfield Herbal on traditional herbal medicine, regarding the medicinal properties of Hawthorn. I’d intended to do this on May Day, but the May blossom was very late to flower and on the Summer Solstice, I hurt my back and couldn’t really walk at all. This day seemed appropriate to talk about traditional medicines to heal the heart. I broadcast it at 3.30pm, as others were holding a memorial for Jo Cox in Westminster and around the world. This time I was an intentional participant in ‘a simultaneity’, Scoped or not. 

26th June: Visited the Car-Boot sale at the Self-Pick Farm situated at the bottom of Crouch Hill., looking for bowls for the Show. I had several interesting conversations whilst Scoping. Particularly pertinent  was a seller from nearby Chipping Norton greeted by a viewer from Morocco, who marvelled at the tech. and said.. “So why do we need the EU then ” .. with all that tech…One of the sellers, Paul from Stargoat  recognised me from my involvement with publicity for the the Old Town party community in Banbury, some years ago. He played his guitar and chatted about music, David Bowie, walking the Wainwright Way and his home in Nethercote just outside Banbury.He also told a story about the role of his home in the exchange of information about nuclear fission to the Russians in 1948…I feel a project coming on….

An inadvertent but significant simultaneity

I have been trying to decide on an image for the paper strip around my chocolate for the Final Show. Struggling with the idea of of branding... see next post.… I decided to go up the Hill with Louise and  take some photographs.

This felt really false. A deceit.

So, after looking through my box of materials containing ‘As yet unmade actions’ I decided  to take some candles, matches and the inside of a roll of parcel tape.

My intention was to melt wax on the surface of the Hill, inside a ‘frame’, to make a kind of ‘Wax Tablet’, an impermanent print – an ironic nod to Empiricism, as it seems to me to serve as the opposite of a Tabula Rasa, containing  previous action within and on the surface of it and so, an ‘a priori’ residual presence.

Also  a commentary on the concept of palimpsest with a fluid reflexive relationship, between layers of  what is ‘written’ and erasure.

It started to rain as I  pitched my tent and talked to a passing dog ( Alfie) and his owner. We heard some shots, which I took to be a bird-scarer on the nearby Pick-Your-Own farm, but Alfie’s owner was not so sure, and was rather concerned thinking it was gun-fire. Not unknown in this rural area, but a bit close for comfort.

Louise arrived and I started work and broadcasting Trace #Crouch Hill.

Several people ‘hopped on’ including this viewer who had joined me before. It was a ridiculous Scope in many ways with Louise acting as ‘straight guy’ , chatting to viewers whilst I tried to light candles in the rain. I found a small wooden toy man figure, which had ended up in the earth

ab4cc5883e334b9eee0df8337022da6c

 and placed the frame over ‘ him’ / that, to incorporate him in the wax.

IMG_3448

This gives an indication of the conversation during the process.

Towards the end, with the dogs getting restless, the wax leaking from the frame and me burning my fingers on the candle’s flame, I decide to just rest the candles on the soil and let the wax flow down on to the soil. Louise left and I just sat quietly chatting to the remaining viewer watching the flames via the Scope and my phone screen.

FullSizeRender 2

When the candles had burnt away, I waited for the wax to cool, tool down my tent, packed up and returned home. As I left the Hill, I felt a sense of loss, as I often do when broadcasting alone from the site… a sense of detachment.

Later that night as I went through the Broadcast to save these screen shots I, unusually, had the TV on in the background.

Then I realised that I had been coincidentally privileged to be taking part in a simultaneous global community ritual of mourning and solidarity without being aware of it, and I understood the  meaning behind some of the comments a little more ( see link).

Orlando

Screen Shot 2016-06-14 at 18.40.16

 

Pin-hole Playtime – Solargrams

Way back, I been chatting to Martin, who lives in Llandrindod Wells about working on Crouch Hill and also about Pinhole Photography Day 24th April 2016. I’ve been involved with some of his image making before – notably a significant day in 2014- but as a subject rather than participant. Along with others, he’s been part of many conversations about the site and activities I’ve been ‘planning’ and somehow  (Him/Me?) suggested the possibility of using a pinhole camera on the hill over a period of activity.

I’d been focussing on May Day but to install a camera a little earlier meant that we could incorporate any images on the Pinhole Day Website (…or  they will be there when I have written this post so that the details of this post can then be put on the website ……….reflexivity in action!) and a combination of basic  analogue and digital tech for image making. The images will be Solargrams, tracking the course of the sun from April 17th to May 23rd incorporating Beltane sunrise on Crouch Hill.

Several important factors about the process relating to my research

  • Pinhole photography uses no lens…no mediation (at this initial stage) a raw and ‘pure’ analogue process, a direct extension of a camera obscura.
  • Solargrams, like these, track the movement of the sun over time and space from a static location; they show the passage of time within space… (rather than an instant). As Martin put it…’capturing contingency’
  • Scanning the image (see process below and here)  is a critical stage of the process as the original image will be DESTROYED by the bright scanning lamp (or at least severely damaged). Therefore, only one scan is permitted. There is a built in ‘ephemerality’ of the actual material imagery..
  • Collaborating and communicating with Martin had to be via mobile as there were no landlines in Wales and no Broadband.  The wind had blown down trees and brought down the cables.. in an unknown location so impossible to repair. He had been without a phone for several weeks. Luckily he lives at the top of a hill so his mobile connection is fine.

UPDATE: Here they are on the `pinhole day’ website !!!!!

The period they were installed ( 17th April – 23rd May) means they covered the time from before to after Beltane ( whichever Beltane dates you care to choose…depending on your location/nationality).

There’s also an image of Martin’s simultaneous (ish) sunrise on May 1st on the post about that event here…. when it is written

They were positioned to face in the direction of the sunrise to catch the movement of the sun across the sky, daily, for the period they were present.

The sun rises to the left of the Trig Point.

Martin, in true precision mode, gave me co-ordinates and landmarks to make sure I was facing the right way and in the correct spot and Helen helped to keep me straight when I fixed the cameras on the trees. They were small film canisters with film enclosed.

I took some images with a Polaroid One 600 too. Just for the sake of it…Helen even took a couple of me Periscoping the install using the Polaroid….and so on! and a couple of the surroundings for context…

IMG_20160527_0001.jpg

Here are the cameras, barely visible in one case,  when I took them down.

The other had been turned carefully round so that it pointed away from the activities that often occur on summer evenings!

When I went to retrieve them, Brian, the local historian in some of the Scopes was there walking his dog….

 

These are the images that Martin produced once they had been posted off to him in Wales and scanned.

“simply scanned, inverted, & adjusted contrast curves.
The colours are “as they happened”. Even with identical location & scanning there are different colour characteristics. Maybe chemicals in the air/cannister?”

Actually, that’s just given me the idea to set up a range of identical cams, each with a leaf of a different (aromatic/toxic?) plant enclosed

very ethereal and quite beautiful.

“Here’s a snap of the images on the photo paper as they appear in daylight. Should give you an idea of how thin the image is! The image v. quickly degrades once it’s flooded with light & there’s no photochemical means of preserving the image so that it’s viewable long-term. So the use of a scanner & photoshop/GIMP to stretch the contrast is a nice mix of new & old technology.” Martin Winfield

Rh_beltane_phc

This is how Martin processed the images….

Pinhole Solargram on Ilford MGIV paper, exposed from 17th April to May 23rd  unprocessed. Scanned, inverted & contrast adjusted in Linux/GIMP by Martin Winfield – martinwinfield.co.uk

Camera info:
35mm film canister with 0.2mm pinhole in aluminium foil.