Public View/Private View

Below is a collection of images from the Camberwell  MA Summer Show 2016.

Two events took place simultaneously.

I was broadcasting via my channel on the Periscope app. from the Public View, on Crouch Hill, Banbury, Oxfordshire.

Visitors to the Private View at Wilson Street, Camberwell  College of Arts, London could access the Public View by the Periscope app and Twitter.

The chocolates displayed in both locations displayed my Twitter username, so the audiences could join the broadcast from Crouch Hill.

The Periscope audience also included random on-line passers-by and followers who had watched  during other broadcasts during the year.

A global audience of ‘friends’ and strangers sharing social, geographical and digital space simultaneously.

Other events took place during the days of the Show which are recorded in previous posts.

This is the final post of my Research Blog.

More recent work and connect via 

Collective Residency at Nordfisk Museum, Melbu, Nordland in August 2016 –

HereBeArt and https://storify.com/sangrownun/art-as-research

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@sangrownun

Thanks for looking!

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#CrouchHill Banbury #Public View #Camberwellual

Louise messaged me this photo of the yarrow emerging on the morning on the Public View…

Better late than never…YARROW

Some of the people who had been involved in the events, gathered over the evening at the summit.

Several of us were broadcasting the event via Periscope and others who had been involved but couldn’t be there in person ‘hopped on’…

Some people managed both- to be there at a distance and then join in person…

 

Some of the sharing paraphernalia…

People brought Champagne and flowers

 

 

The Covenant of Salt, ‘Twitter’ chocolates, and Mystic Writing pads were enjoyed by many… even those who claimed no artistic talent!

Games had unexpected winners..or no winners at all depending on the play.

People were Periscoping people Periscoping people Periscoping ………etc

 

Clara Duran was taking photos of the Summer Show in Camberwell at the same time, and watching proceedings on Periscope on Jonathan’s phone ( see later)

I hadn’t realised that they had also announced Clara and my Residency Award in Norway  at the award ceremony.

 

Here are images of some of the group’s work : Clara, Tristan ( our work has some similarities..) Pete ( who I have still never met!), Pascale, Donald, Yvonne and Sharon

SIMULTANEITY:

Some examples of the simultaneous images taken and simultaneous events ( if the clocks on our phones and cameras and image files are to be believed ) in Camberwell and on Crouch Hill.

 

19.41

 

19.46

 

19.53

 

20.14

Below are some screen shots which show the involvement of the Periscope audience when I went to find Clare Carswell, who also took many of the documentation photos – Thanks Clare)

She had been following proceedings on the phone but then drove to the Hill to try to find us.

I had thought of putting up signs but it would have changed the event and the Happenstance element for people who hadn’t had direct invitations

Also it was fun to see people randomly wandering around, getting lost, finding each other, talking to strangers, and eventually finding us at the summit!

 

‘ I’ve never seen so many Lost People!’ – Thanks JimStr

People made it to the top, physically and via our Live streams.

 

Drawing time is Catherine Lette,  who was documenting her visit to the Summer Show Private View in Wilson Road, Camberwell and simultaneous experience of Crouch Hill, Public View and some of my work in the process

The Screen shots below are from my Stream

 

These are from Catherine’s @drawingtime phone and stream

 

These are from Sharon Bertram’s

 

Here’s an example of chat during the stream…Anything from dog snacks to Brexit

Which at least gives it some time-reference.

Importantly, people  visiting the Show did seem to be accessing the Periscope Broadcasts at least via the Twitter feed from the Username on the Chocolates!

[EDIT 21st July:  There were large numbers in the LiveStream Audience by the end of the Show – over 700 for the last broadcast ]

 

Finishing with some amusing screen shot showing middle-ages people whth Glo=Stick necklaces.

I’ll never forget wending our way down the Hill carrying the tent etc, winding through the woodland in the dusk, Glo-necklaces bobbing up and down in the distance…Sadly not on the Broadcast

 

The event went well with some good interaction and a reasonable audience in both ‘locations’, from 30- 159 on the stream…not that I’m counting! ( Ha!)

 

Final Show Preparations 4 and Public View

The chocolates arrived safely in Peckham yesterday, only to be eaten by all my colleagues, if Jonathan’s text is to be believed!

IMG_3755

The locations of the bowls and the distribution of the chocolates will be up to my colleagues so I have no real idea if they will be on plinths displayed as ‘artwork’ or scattered around more informally.

I’ve been distributing invitations to the Show and the Public View on Crouch Hill, around the various communities I work and socialise with, have posted some invitations and chocolates, and pushed some through friends’ letterboxes.

If people have been involved in some way with the project they will be invited as well as friends..so dog walkers, carers group, leisure artists,  ( you can see the enthusiasm!) geocache advisor, chocolatier, printer and courier……

I will also put some invitations in a map holder and fasten it to the Trig Point at the summit. Some of the people who have been interacting with the ‘building development‘ may be interested in coming….

I’ve also sent the usual email invitations to the Show in Camberwell and will circulate via Twitter and have a few chats on Periscope beforehand to invite regular followers.

I hope, on this occasion, to have a meeting of communities ; Crouch Hill- Camberwell- Periscope.

I also have a loose programme of events for viewers during the Show, ensuring that something is present on my Twitter feed and Periscope app ( where there will be interactive cuhatvia the Live Stream)  whilst the Show is Open.

The Public View is rather more ‘structured’ as the other events depend of people who have said they are interested in being involved being available on the day……..so below is ‘sort of a plan’.

Claire Winfield will be on an archaeological dig in Dorchester-THames but will be joining us by Periscope, and Martin Winfield will be watching on the desktop app and calling in on his mobile from ‘his’ mountain in Mid-Wales….or at least that’s the idea.All the events will be Live streamed via Periscope.

13th July

Prior to the event within 24 hrs of start of the Show. It is John Clare’s birthday (1793) and I will be reading  some of his poems about enclosure. The town of Banbury, here,  borders Northamptonshire where Clare lived and wrote.

I also plan to re-install Ordnance Survey  and read from the Wikipedia texts in the piece.

14th July  

The  Public View, at the summit of Crouch Hill, will take place simultaneously with the Private View at Camberwell.

I intend to perform a symbolic ritual of exchange of a Covenant of Salt. I will give visitors small hessian bags, hand made by an upholsterer in Poole, Dorset, from re-cycled hessian. The bags will contain salt. people will be asked to mix salt from their bag with salt in someone else’s. The grains can never be separated…..and so, a lasting bond is formed. This has some origins in Biblical Scriptures  but this is not why I have chosen it. It is also performed at weddings. The significance is the prescience of the old Salt Route, The Salt Way, which runs along side Crouch Hill and was used to transport salt from Droitwich to London. I feel it links up with many of the ancient salt routes which network across Europe and Asia in a similar way to networks and systems today.

There will also be Magic Slates which are a playful mimic Freud’s Mystic Writing Pads.

IMG_3759

 

I will take the wooden buildings previously used in this events here, as recently, the encroachment of housing development across the boundary to the area, formed by the Salt Way, has been of local concern.

There is also a link to Lefevbre’s thoughts on urbanism.IMG_3763 I will also take, as far as possible, all materials, props and remnants that I have used in previous actions and events, for re- mediation/ re- animation  through conversation during the Public View.

The Camberwell College invitations that I have adapted ask people to bring drink ,and their dog if they want. I cannot carry bottles there…but I will prove some refreshments ( and the chocolates)  as in a Potlatch ceremony of exchange or ‘gift’…

Most people ask “What it it rains”….well I will be in my tent… or under the nearby trees in my waterproof.

I may or may not leave my tent up for the duration of the Show as a longer- temporary occupation…….I haven’t made that decision yet.

‘Plan’

15th July :

Reading aloud from John Ruskin’s lecture  Work  delivered at the Working Men’s Institute Camberwell  in 1865,( which I think is now the South London Gallery……..?) to link my location with Camberwell.

16th and 17th July :

Any one, none  or more of these things……depending who is available and when. All are interchangeable.

Paul Mobbs, local Quaker historian and activist telling his history of Crouch Hill and the area.

A Skype chat with Juliet Henderson, the linguist  from Oxford Brookes University, I met on the 205 bus, discussing Derrida  and ‘differance’.

A resident of nearby Broughton Castle and relative of William Fiennes, (1st Viscount Saye and Sele (28 June 1582 – 14 April 1662) , English nobleman and politician during the English Civil War) talking about his knowledge of Crouch Hill.

Me reading aloud from various history books and novels about the area, possibly reading from Benjamin’s Arcades Projects,  or W G Sebold.

A visit from Jane and Richard, caretakers of the Reading Room, Croughton linking this project with my Research Paper.

Snakes and Ladders or Scrabble with a  local theme via Periscope

18th July:

A tribute to Edith  Eisler, who died on this day in 2011. A refugee from Vienna in 1940, musician and friend of my father’s, whose legacy has provided me with the funds to follow this course. Looking at her letters to my father during WWII and listening her play the violin.

Thank You.

19th July Reading the iChing and reading from Philip K Dick’s The Man in the High Castle.

That’s All Folks.

On the 20th July I will visit Camberwell for a Final Crit with the group and then go with Clara Duran to meet other artists for discussion about the wonderful Residency Opportunity in Sortland , Norway……!!!

Final Analysis

This is an assimilation of thoughts accumulated and embodied during the last eight months. Hopefully a summary analysis which covers areas I have not necessarily included with each post.

It serves as analysis of the whole rather than each of the parts.

Deleuze and Guattari:

I suppose conventionally it is best to include reflections on the theory after each small part of the process but it seems I don’t work like that… preferring much more an organic unfolding. Although, I admit that my reading or, more specifically my intellectual understanding, of Deleuze and Guattari’s Thousand Plateaus is severely limited I am beginning to see my work in terms of these concepts of becoming , multiplicity, collective assemblages and immanence and maybe this is reflected in my reflective process and documentation of it.

To this end I can only reflect now that this part of the process has reach a surprisingly natural resolution…conveniently at the end of the course… ready for a new continuing beginning.

I have been trying to understand more deeply through praxis, some of the concepts uncovered during the writing of my research paper…and then subsequently during the resulting research process.The reflexivity of this process though well documented has been interesting as an affective experience as well as an intellectual one.

As mentioned previously, although the content of the paper was important to me in providing me with a wider context of analysis for past work and future process, it was the process of writing and paradoxically the “unfinishedness ” and performativity of submitted paper which has had the most significant impact.

This is an attempt to put into some sort of structure some of the thoughts and discoveries which I am now left with. It will be my next task to see more clearly the “nodes of intersection” which lie within to progress in order to move forwards with my process.

 I referred in  the post  The Affect of Philosophical theory in the exploration of non-linear narratives! to my difficulty with a crossover of language – many of the metaphors used by  Deleuze and Guattari  have not, in my case, clarified understanding but confused it. This is strange, as they embrace interdisciplinary thinking  which is something I seem to be drawn to. I am struggling to find my own “language” to enable full embodied clarification of these concepts. I have a superficial  intellectual  understanding but not yet that full and total coherence – there is still something standing in my way. I feel I have to experience  this  phenomenological understanding ( if that’s not a tautological statement..) before I can move on. Maybe that has happened now?
However, I do now recognise that my work operates and to some extent displays these concepts.

Rhizomatic Assemblage

It may be, however that Deleuze’s assemblage – actual agents of self organization of the process of stratification located simultaneously in the  intersection of contents and expression of a given stratum….. at the intersection of other structure into strata

A performative action by an agent  could be seen as an aspect of assemblage i.e. is what it does and how it functions rather than what it means and so could also be seen as  part of a process of simultanaeity occurring within the space or produced/ create by the assemblage.Or maybe I’m taking that idea a little too far…

Derrida

Palimpsest

Although aware of this concept of a partly erased parchment overwritten with fragments of the original still visible and its relationship to Freud’s mystic writing pad and human memory, and from de Quinceys point of view, the brain, I was not aware until writing the Research Paper of its use within archaeological and historical discourse.  Nor  Bailey’s extended discourse referencing time perspectivism, and so historical and historiological phenomena and events. This  has had a huge impact on my process particularly in combination Lefevbre and Massey’s perspectives on space/time.

It was only later ( December) that I began to understand its relevance in literary theory and literature and its use as metaphor for multilayering of texts over time . Also more significantly its relationship to intertextuality, which I hope has been one of the threads I have made  visible in my work, making manifest the distinctiveness of the texts, music action and events I have been re-mediating, but with the contamination of each by the other, then also made visible in the light of contemporary unfolding events.

de  Quincey’s figurative use of the word is also relevant as involuted structure of interwoven, competing and infiltrating texts (or in the case of my work, actions and remediations which formed this involution)

French literary theorist Gennette’s studies of poetics relate the concept of palimpsest to hypertext; a conclusion I reached independently when analyzing my practice  for the Symposium in June. i.e. literature (or possibly other forms in the case of my practice ) of the ‘second degree’ made up of hypertexts, which are derived from other forms by derivation, imitation or reference( re-mediation) 

Derrida describes the palimpsest as representing  a “non-contemporaneity with itself of the living present”: The present that the palimpsest projects,  constructed by the unintended presence of texts from the past and the possibility of the inscription of future texts. Therefore, the palimpsest “evidences the spectrality of any present moment which already contains with it (elements of) ‘past’, ‘present’ and ‘future’, which I have aimed to critique in my work ( and Research Paper).

Derrida’s discourse is possibly also evident in my use of strategies which try to make visible the blurry boundaries between disciplines.This could be perceived as an example of trace resulting from erasure ‘in the drive towards transparency.’

I’m also aware of  Derrida’s concept of Differance,  where writing always includes elements of previous texts and is impure; though without a full understanding of this difficult idea.

In some ways my use of unscripted speech, with a recitation of written text, in some of the work may be seen as  some level of investigation in reference to  Derrida’s discussion around the (lack of) distinction and binary opposition between speech and writing:  speech as  primary and more original versus the secondary representational status of writing. Though I do not pretend to fully understand this. Possibly through praxis I will be to.

In terms of my solitary actions and other remediations, I have aimed for the poetic  (from some of the streamed Broadcast comments  received, I achieved that to some xtent.)

I feel, but can’t yet fully understand intellectually, that the work crosses  boundaries into the poetic, but don’t fully understand the linguistic position of poetry.

Pharmakon

Central to my practice a have been experiences and manifestations of paradox and conflict  which relate to Derrida’s concept  Pharmakon, as both poison and remedy.There is also the idea of the pharmakon of writing as remedy or  poison and its relationship to production of memory or remembrance which I have not investigated at all…..although indeterminacy and ambiguity are also evident in my work.

The vernacular

Through the use of vernacular aesthetic and language  with  loosely directed and unscripted intervention in a site-specific, relational, participative and collaborative process,  I hope I have evidenced what Derrida described as the lack of neutrality of everyday language, cultural traditions and presuppositions.

The work is a combination of lo-fi ( ‘Acorn antiques’, hand-made) aesthetic and low production values, in conjunction with cutting edge,  simultaneously evolving  yet everyday, communications technology .

This is in contrast to the high production values ( but retained accessibility) of the work displayed in the context of the exhibition space for the Summer Show

Un-finishedness, non-linear storytelling and archive

I wrote a rambling post about this in November

I hope my work as loosely directed, contingent unscripted events sits well within this framework which emerged more confidently from the process of writing my research paper. Rather than previous attempts at an intellectual understanding of the duration, presence and absence I started to see a place within multiplicity, strands and benjamin’s Arcade ~Projects-like ‘structure’ .

I hope I have consolidated my role as storyteller and trickster, if as  unreliable narrator within the performative aspects of the work. This is extended by understanding that Benjamin also understood ‘the story’ as afterlife; the story in the memory. My hope is for the story of an event ( or broadcast) on Crouch Hill or otherwise ; to act as ‘ transmission’, forming the embodied documentation, whilst also operating within the context of intertextuality.

Rebecca Schneider states that performance ‘remains differently’ when the considering Derridean archive, in a non‐binary, collaborative, mobile, interanimate, body-to body relationship, which I feel has a relationship to oral history which has echoes in my work.

Performative writing, which I used to a limited extent in my Research Paperoperates as a time-based documenting narrative with links to oral transmission.

I am aware there are similar links between the theatre, performance and language  that exist within the  liminal cultural rituals which have been examined throughout  my process, which I have yet to investigate.

Particularly wrt the practice of Performing the Archive, and area of performance/ Live Art  I am aware of but have not covered directly in this particular project.

I see this body of work, and future projects, as a discontinuous, fragmentary  process

Despite the video documentation pieces of the events working contrary to the conceit of ephemerality of the work, I hope that those also display some of these qualities.

There is an obvious ambiguous and conflicting relationship with archiving the ephemerality of any performative action which has been highlighted in my struggle between these two within my process.

I have also attempted to involve, through performative discourse, discussion on the differences between Proust and Sebold’s approaches to the phenomenology and embodiment of memory and its relationship to space and narrative.

Performativity and ritual

My process since the Research Paper has explored elements of ritual practice around archiving and memorialisation at specific locations, often within a calendrical structure, with a variety of  relationships to audience  and community.

They operate as both public and private and  are both inclusive and exclusive, in terms of location and community. I previously read Turner,  Rothenbuhler and Schechner and their discussions of ritual  function and operation within community,but now feel I need to re-read and analyse these works in terms of relational space and communications, overall performativity.

I interpret the actions/events within my process, not as performance, theatre or ritual  but  as relational, reflexive, directly- experienced relationships: even, paradoxically, when these are mediated through the technology of a mobile-phone live stream broadcast. There are, therefore, similar to those relationships arising from other forms of mediation such as gameplay or sharing across, between and within geographically local and global communities. These relationships often, again paradoxically, then highlight existing personal intimacy  or remoteness.

One of the areas I have not analysed fully yet is the variable relationships with viewer, audience and witness across the range of events and broadcasts  – from ritual to ‘performance’, to participative and collaborative experience – all operating within the context of location,  community or happen -upon passer-by , in both digital and  ‘physical spaces. I had never previously thought of the ‘space’ of  theatre or performance so deeply.  and have been playing with considerations of Brechtian and other aspects of theatre for future work particularly with the implicit reflexivity and reciprocity which `i am now aware of within some genres of theatre.

As a collection, the body of work explores the boundaries and structures of a range of digital local and global communities, communications and networks and uses relational aesthetics and the social space of interaction within performative action as a method.

From Snapchat to 4chan with some in-between

A Summary of some of the apps and Platforms I’ve looked at during the last 12 months .

  • My journey around apps started I guess with a fascination with Snapchat  and watching it in the Reading Room project see this post  last Spring .

My son had introduced me and I loved it… for daft middle-aged not teen reasons! No sharing images of  my body-parts, Thank You! … The trouble was that non- of my contacts joined! No community... One replied to my invitation with ” I’m not on Snapchat but would you like to meet in town for a coffee . “Well we are over 50!

In some ways these events  were key to  the paradox of  living within and between several digital and physical communities which is demonstrated also in my Research Paper. And probably the start of thinking about bringing those together within my process.

  • At the end of Unit 1 in October 2015, Jonathan mentioned Storify, story-telling platform, in a tutorial  so I  signed up and started to investigate it. I drafted this post then and have been editing since.

I kept looking at Storify and trying to fit what I wanted into it…..It is great for  adding content from social media but I did have some problems with the Search trying to find exactly what I wanted.

That’s pretty hard call even when just using a browser as I wanted such specific times and dates and of course had to consider Time differences in location of the event and also on the platform. Twitter time does not equal UK time for instance! The problem can be sorted by altering the settings within the browsers but I couldn’t seem to get the specificity I needed with Storify. I’m sure I could’ve done it a ‘long way round’ and imported the content as images ? but I didn’t feel the other all rest would produce what I wanted in the end, so I abandoned it…There for future reference though….

The  main problem though was that it still produces too linear a narrative.… although more recently for an Upgrade there is livefyre which may be worth investigating. At the time of I was investigating there was no Free Trial, otherwise I may have gone down that route! There are others and others!!! all with different emphases on image, text etc…..

 Later on I decided I  wanted to be able to include live feed from Periscope on  a storytelling platform….. I might have been able to do that  by using Katch but then that disappeared ( see below)

  • I had already spent some time looking at other simpler platforms for documenting the narrative of my process. Some image hosting sites I knew already…Pinterest, Flikr and have dipped into in the past. I set up Instagram and Imgur account to investigate further. The latter on my son’s recommendation because I had been thinking of posting on Reddit, when searching for synchronous events to document along side my actions  to demonstrate simultaneity  as in these described in   Protected: Same time, different places  and here

 described fully in Notes for Research Discussion Thursday 11th February 2016

  • I looked at a range of news sites on Youtube and also Buzzfeed, Huff Post and others.I’d also been directed to and ‘warned’ about ( my sons assume I need protection – they are possibly correct)  the content of 4chan and used some content for the video clips made in   Final Cut – these short pieces which became  works in themselves.

I was still desperately trying to make something non- linear within the constraints of the linear.There’s a long and rambling post where I discuss ( with my self) the vary aspects of that and how film- makers approach the problem.

I eventually stopped trying to tell the story of simultaneity and demonstrate it simply through the action.

  • But on my way I’ve been having ( and continue to have ) fun, playing with Vine here and Anthropology – ritual and space on Vine
  • Using Periscope as  medium of making and showing my work has evolved during my process. The app has developed and continued. The best way to find to what’s available is to watch and interact with other Broadcasts. I did a lot of that at the beginning but recently have limited myself to Broadcasts only. I may have missed out on some updates but didn’t want to get distracted by the app. Just work within the constrains of it, as it was in May. The full functionality depends on having a decent phone so things have improved since upgrading to 8GB iPhone SE. Just after I’d started to use Periscope, this happened:

Scope Day  Originally on November 7, 2015, 56 broadcasters in 37 cities on 6 continents showcased destinations in their respective cities/countries over the course of 16 hours, a sort of simultaneity demonstration. In December 2015 Issac Duckett, the CEO of SCL Brands / Slickchix has acquired the rights to Scope Day.

  • I have used, with varying degrees of success, YouTubeLive and  Google hangouts but rather stupidly deleted the evidence of attempted and successful Trials from my YouTube Channel when tidying up! but Here is one from YouTube below  and one here which was successful on Google Hangouts

is one remaining failure!

I downloaded the encoding software onto my old laptop necessary for YouTube Live stream  and managed a successful stream from my living room but then next time  I couldn’t even access Youtube because the OS no longer supports the updated version… I tried my son’s Chrome book and again had some success but I wanted to broadcast from the Hill where there is no Wi-Fi and using my phone as a Hot-Spot didn’t work for streaming, certainly not with the phone I’d got at the time.The Chrome book had 4G but  still didn’t work. Periscope is just So Easy in comparison.

From an audience point of view it allows anyone with the app to find your stream and watch. The accessibility is so much greater than Youtube where people have to search harder or know her to find you. The Map and List on Periscope make it straightforward and you can search for users using username.

I looked at Lifestream  but it is very corporate, the audience would not be the broad, happen across audience that I was hoping for. I didn’t investigate Snapchat Live.

  • Twitter  : All my broadcasts are automatically shared on Twitter. This gives my Twitter Followers even without the Periscope app the chance to see the Broadcasts for 24 hours.

I’ve been using Twitter more now, to share Vines and posts on my MAFAD Blog as well as posting and re-tweeting.So much so that it has become an essential component for my Final Show, as an access point for an audience

  • Google Translate: In the early days of using Periscope I had a large number of viewers from Turkey (and Russia) so I used Google translate to view the conversation. I could only do this from Screen recordings though. Here they are below,  rather long, clumsy and unedited; but they  show some of my investigation…

There was some chat about an app for simultaneous translation whilst broadcasting, but I couldn’t find it….

and

  • I was interested in the work of Blast Theory especially after the  Participation session with Jonathan and downloaded  Karen app, which was fun.
  • Katch was an app which saved automatically all Periscope streams WITH Comments and hearts  but it closed at the beginning of May. It was useful when I found it and the results of the archived content can be seen in several posts below

Lewis Carroll, Time and Philosophy   

Egg Rolling: Easter Day 

Games without frontiers?

Questioning the i Ching- games without frontiers continued,

All the other broadcasts  were saved to Katch from early March until the end April and I archived them from Katch to this Youtube  playlist Here. The comments (on an Excel spreadsheet), stats and video files were downloaded to my Desktop. It wasn’t available for the St George’s Day work, so this was screen- recorded on the Desktop.

I looked at lots of other Video and screen saving apps available on my 4S but non- worked well and kept to screen recording from the Desktop which if accessed using Chrome as a browser shows the hearts and comments on the replay

  • i Ching: I played around with this app as I aim to use the iChing in an action during the Final Show…possibly using the app…I’d used cards already see above 
  • Geocache: I’ve played around with too ,see here Protected: Geocache possibilities
  • I’ve debated the use of Bit.ly  vs other alternatives  as shortners for Twitter etc.. My son favours Goo.gl but I’ve stuck with Bit.ly so far
  • Soundcloud here 
  • Clyp as here 
  • I investigated Anchor too,”Anchor is radio by the people, where any voice can join the conversation. Anchor makes it easy to broadcast short audio clips to a global audience in seconds. Your listeners can talk back, sparking instant group conversations that were never before possible.”but found it rather dull at the time. Very corporate…Maybe I’ll investigate it when it’s been around a bit longer.IMG_3727.jpg

 

Final Show Preparation 2

It was important for me to source the materials for the show as locally  as possible with connections to the specific local communities I work with and for them to link with the themes of my work in the project so far so linking  the various  communities here  with Camberwell.

I’ve been searching out bowls for display of the chocolates. I wanted to get most at the Self-Pick Farm at the bottom of Crouch Hill. They have Car- Boot sales there and I thought that was appropriate as the bowls will have a personal provenance. It’s been so wet that I don’t think the Car-Boots were held. Certainly when I got there everyone had gone home. There were some boxes of crockery, though, which apparently are collected from the ‘left-overs’ from the Car -Boots. Here they are full of water as I found them, and then, the ones I bought packed up at home. I also bought some from charity shops within Banbury’s Old Town. I have worked there for many years and, been an active member of the Old Town Association ,a trade organisation which supports and brings together local  independent traders. It also runs community events which I participate in as a community artist. Buying some of the crockery here links the threads of my practice and communities in which they operate.

The printers, Banbury Print and Design, are a small family-run business, also in the Old Town . They have printed the wrappers for the chocolates, 5 designs, 150 each. This  may be too many but I want to make sure that I have sufficient, not only for Camberwell, but also  to distribute locally as a link of the two communities and networks. There is an image of Banbury Print and Design’s premises below- but Nicola was not keen on having her photo included on the Blog! Funnily  enough I picked these up yesterday, Referendum Day 23rd June 2016, and then bumped into the owners on my way back home from the Polling Station. They were just walking down as a family. A coincidence….

Belflair, the chocolatier, is just across the road and up Church Lane. At the end of Church Lane is Ye Olde Reine Deer Inn, which apparently is where in the 15th century, Puritan Oliver Cromwell held court arranging future battles.

The founder & resident chocolatier, of Belflair  learnt his craft at chocolate / patisserie school in Brussels  and Antwerp.

I was concerned about selecting the most appropriate foils for the different designs, again that difficulty with the idea of branding. I’d decided to have one colour of foil for each image, 5 in all. Merv, (see below in the shop)  who also runs the business, showed me a selection and chose the ones she thought worked best. They all looked so good that I didn’t want to change anything!

Each glistening order served as a mount would to a picture, highlighting the images, as you can see. The idea of the ‘exhibition’ of the image was still there. Apparently I’m in good company as Belflair chocolates are used as promotions for several central London hotels. Merv was excited by the images. To her they looked essential English, ( or did she say British?…..)

Merv is from Finland, and the images made her think of British weather ( the umbrella) , family camping holidays ( tent) and the Duke of Edinburgh Award Scheme and also Glastonbury festival as that has just started. All those things coalescing together in just one short conversation. She then told me a story about how camping isn’t popular in Finland and why she thinks this is the case.

The chocolates are being made especially to order in their chocolate atelier in nearby Brackley! They should be ready by the end of next week.

I asked her to recommend a reliable local courier to get them to Peckham. They are just round the corner…

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An inadvertent but significant simultaneity

I have been trying to decide on an image for the paper strip around my chocolate for the Final Show. Struggling with the idea of of branding... see next post.… I decided to go up the Hill with Louise and  take some photographs.

This felt really false. A deceit.

So, after looking through my box of materials containing ‘As yet unmade actions’ I decided  to take some candles, matches and the inside of a roll of parcel tape.

My intention was to melt wax on the surface of the Hill, inside a ‘frame’, to make a kind of ‘Wax Tablet’, an impermanent print – an ironic nod to Empiricism, as it seems to me to serve as the opposite of a Tabula Rasa, containing  previous action within and on the surface of it and so, an ‘a priori’ residual presence.

Also  a commentary on the concept of palimpsest with a fluid reflexive relationship, between layers of  what is ‘written’ and erasure.

It started to rain as I  pitched my tent and talked to a passing dog ( Alfie) and his owner. We heard some shots, which I took to be a bird-scarer on the nearby Pick-Your-Own farm, but Alfie’s owner was not so sure, and was rather concerned thinking it was gun-fire. Not unknown in this rural area, but a bit close for comfort.

Louise arrived and I started work and broadcasting Trace #Crouch Hill.

Several people ‘hopped on’ including this viewer who had joined me before. It was a ridiculous Scope in many ways with Louise acting as ‘straight guy’ , chatting to viewers whilst I tried to light candles in the rain. I found a small wooden toy man figure, which had ended up in the earth

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 and placed the frame over ‘ him’ / that, to incorporate him in the wax.

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This gives an indication of the conversation during the process.

Towards the end, with the dogs getting restless, the wax leaking from the frame and me burning my fingers on the candle’s flame, I decide to just rest the candles on the soil and let the wax flow down on to the soil. Louise left and I just sat quietly chatting to the remaining viewer watching the flames via the Scope and my phone screen.

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When the candles had burnt away, I waited for the wax to cool, tool down my tent, packed up and returned home. As I left the Hill, I felt a sense of loss, as I often do when broadcasting alone from the site… a sense of detachment.

Later that night as I went through the Broadcast to save these screen shots I, unusually, had the TV on in the background.

Then I realised that I had been coincidentally privileged to be taking part in a simultaneous global community ritual of mourning and solidarity without being aware of it, and I understood the  meaning behind some of the comments a little more ( see link).

Orlando

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