I am aware that the soundtrack and its associations are loaded with cultural, as well as personal, meaning
The former may override the latter for a viewer and so make my interpretation of the video in the context of my practice, irrelevant and invisible.
My concerns are those of personal experience of an event, how this experience is stored and accessed in association with future experiences; individual, shared or collective.
Also the effect of the senses, in this case: haptic, auditory and visual, and the resulting affect with its relationship to re-experienced events through remembering.
I have been thinking also about forgetting as an emphasis and I think this comes through unintentionally in these pieces.
More the destruction of memory than the preservation of it?
I think that, maybe in working on drawings of the documentation of an action, the material process acts as a sort of immaterial ‘processing’ ( of the archive?)